Royal Ballet
Rhapsody/Tetractys/Gloria, The Royal BalletFriday, 07 February 2014
Is it odd that, in a bill containing an achingly contemporary première and a classic meditation on the First World War, a pastel-painted present for the Queen Mother’s birthday should race away with the honours?Not if it was by Frederick Ashton, the... Read more... |
Hansel and Gretel, Royal BalletSaturday, 25 January 2014
"Be careful what you wish for," fairy tales teach us. After I wished in December for more bite in Scottish Ballet’s saccharine Hansel and Gretel, along comes this revival of Liam Scarlett’s 2013 version of the same story for the Royal Ballet.... Read more... |
Giselle, Royal BalletSunday, 19 January 2014
Ah, Giselle. Despite being cobbled together from a huge stack of 19th-century literary and dramatic tropes – fans of La Sylphide, Robert le Diable, Lucia di Lammermoor, Walter Scott and German Romanticism will feel right at home – and having a score... Read more... |
Jewels, Royal BalletWednesday, 18 December 2013
It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine... Read more... |
The Nutcracker, Royal BalletWednesday, 04 December 2013
When dealing with the big beasts of the classical repertoire, the Royal Ballet has a history of both playing it straight and playing it very, very well. Peter Wright’s venerable production of The Nutcracker is a case in point: although sticking... Read more... |
Chroma/ The Human Seasons/ The Rite of Spring, The Royal BalletSunday, 10 November 2013
This triple bill is of works commissioned for the Royal Ballet: Kenneth MacMillan’s The Rite of Spring was first performed in 1962, Wayne McGregor’s Chroma had its debut in 2006 while this is the world premiere of David Dawson’s first ballet for... Read more... |
Don Quixote, Royal BalletTuesday, 01 October 2013
The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new... Read more... |
Carlos Acosta, Classical Selection, London ColiseumWednesday, 31 July 2013
The mighty adorable Carlos Acosta is at the London Coliseum this week in all his might and all his adorableness - four times, you may like to know, he appears without his shirt on. This is relevant, because it’s not the preening bare-... Read more... |
Opinion: Ballet's Stars are RevoltingMonday, 15 July 2013
Are we seeing a breakdown in the ballet company system? Where the brightest stars used to twinkle in the great companies, all is changing. Alina Cojocaru, the great Royal Ballet ballerina, has announced today she's joining English National Ballet -... Read more... |
Performers: A Season in PhotographsSaturday, 06 July 2013
A stage performance in any art form communicates through sound and motion. A photographer's task is to capture the dramatic experience in the silence and stillness of the 2D image. In the worlds of ballet and opera, none does it with more commitment... Read more... |
Mayerling, Royal BalletSunday, 16 June 2013
My great-grandmother used to say, "In the fall, leaves fall," meaning that as the weather gets colder, people die. The Royal Ballet has had leaves falling all year, and in the height of the (ha!) summer one of the most tenacious, and most beautiful... Read more... |
theartsdesk Q&A: Ballerina Leanne BenjaminFriday, 14 June 2013
It's the uniqueness of the Royal Ballet ballerina Leanne Benjamin that tomorrow night at Covent Garden, aged nearly 49, she will be playing a sex-mad teenager, and no one will have the slightest difficulty believing it. Then she'll retire. Not for... Read more... |
