tue 07/04/2020

Russia

Wild, Hampstead Theatre online review - timelier than anticipated

“The whole world is just tilting at the moment,” we’re told near the end of Wild, the Mike Bartlett play from summer 2016 that is available (through Sunday) online to help get us through these wild times right now. The first of three Hampstead...

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Putin: A Russian Spy Story, Channel 4 review - inside the mind of a man without a face

Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects. Though the finer degrees of political power-play – and the sheer quantity of...

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Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales music

Once upon a time writing an opera was first and foremost a question of choosing a good story. But times move on, and today – as Nicholas Till reminds us in a fascinating programme note for Philip Venables’s and Ted Huffman’s new chamber opera – the...

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Sophy Roberts: The Lost Pianos of Siberia review - a distant musical journey

For travellers, “music is a passport, especially in Russia…” Borrowing an adage from the British diplomat Thomas Preston, Sophy Roberts could be speaking about the eccentric quest that lies behind The Lost Pianos of Siberia. Preston, as consul in...

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Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye view

"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics:...

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Uncle Vanya, Harold Pinter Theatre review - a superlative company achievement

Uncle Vanya must surely be the closest, the most essential of Chekhov’s plays, its cast – just four main players who are caught up in the drama's fraught emotional action, and four who are essentially supporting – a concentrated unit even by the...

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Onegin, Royal Ballet review - vivid and intelligent dance drama

It’s no surprise that audiences love John Cranko’s Onegin, with its vividly economical narrative (close to Tchaikovsky’s opera), attractive decors by Jürgen Rose, and intelligent drama. True, it feels a tad old-fashioned – although that, as my...

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Citizen K review - real power in Russia

Putin and Mikhail Khodorkovsky are “strong”, a Russian journalist considers. “Everyone else – weak.” This is essentially Khodorkovsky’s opinion, too, after the former oil oligarch’s decade in a Siberian jail for suggesting the President was corrupt...

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Three Sisters, National Theatre review - Chekhov in time of war

Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran secessionist conflict of the late 1960s which so bitterly divided that newly independent nation. It’s a bold move that adds decided new relevance...

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Robert Service: Kremlin Winter review – behind Putin's masks

When U.S. president George W. Bush looked into the eyes of Vladimir Putin he famously “saw his soul”. In his latest meditation on modern Russia, Britain's top Kremlinologist Robert Service gets as close to the Russian president’s soul as may be...

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Book extract: Second-Hand Time by Svetlana Alexievich

Between 1991 to 2012, Belorussian journalist and oral historian Svetlana Alexievich travelled the countries that constituted the former USSR conducting interviews with the “the little great people” who had lived under Soviet communism and witnessed...

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Book extract: Second-Hand Time by Svetlana Alexievich

Between 1991 to 2012, Belorussian journalist and oral historian Svetlana Alexievich travelled the countries that constituted the former USSR conducting interviews with the “the little great people” who had lived under Soviet communism and witnessed...

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