Russia
Sophy Roberts: The Lost Pianos of Siberia review - a distant musical journeySunday, 09 February 2020
For travellers, “music is a passport, especially in Russia…” Borrowing an adage from the British diplomat Thomas Preston, Sophy Roberts could be speaking about the eccentric quest that lies behind The Lost Pianos of Siberia. Preston, as consul in... Read more... |
Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye viewMonday, 27 January 2020
"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. High-level human integrity seems a given when great pianists essay epics:... Read more... |
Uncle Vanya, Harold Pinter Theatre review - a superlative company achievementFriday, 24 January 2020
Uncle Vanya must surely be the closest, the most essential of Chekhov’s plays, its cast – just four main players who are caught up in the drama's fraught emotional action, and four who are essentially supporting – a concentrated unit even by the... Read more... |
Onegin, Royal Ballet review - vivid and intelligent dance dramaMonday, 20 January 2020
It’s no surprise that audiences love John Cranko’s Onegin, with its vividly economical narrative (close to Tchaikovsky’s opera), attractive decors by Jürgen Rose, and intelligent drama. True, it feels a tad old-fashioned – although that, as my... Read more... |
Citizen K review - real power in RussiaSaturday, 14 December 2019
Putin and Mikhail Khodorkovsky are “strong”, a Russian journalist considers. “Everyone else – weak.” This is essentially Khodorkovsky’s opinion, too, after the former oil oligarch’s decade in a Siberian jail for suggesting the President was corrupt... Read more... |
Three Sisters, National Theatre review - Chekhov in time of warWednesday, 11 December 2019
Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran secessionist conflict of the late 1960s which so bitterly divided that newly independent nation. It’s a bold move that adds decided new relevance... Read more... |
Robert Service: Kremlin Winter review – behind Putin's masksSunday, 24 November 2019
When U.S. president George W. Bush looked into the eyes of Vladimir Putin he famously “saw his soul”. In his latest meditation on modern Russia, Britain's top Kremlinologist Robert Service gets as close to the Russian president’s soul as may be... Read more... |
Book extract: Second-Hand Time by Svetlana AlexievichFriday, 15 November 2019
Between 1991 to 2012, Belorussian journalist and oral historian Svetlana Alexievich travelled the countries that constituted the former USSR conducting interviews with the “the little great people” who had lived under Soviet communism and witnessed... Read more... |
Book extract: Second-Hand Time by Svetlana AlexievichWednesday, 13 November 2019
Between 1991 to 2012, Belorussian journalist and oral historian Svetlana Alexievich travelled the countries that constituted the former USSR conducting interviews with the “the little great people” who had lived under Soviet communism and witnessed... Read more... |
Book extract: Second-Hand Time by Svetlana AlexievichMonday, 11 November 2019
Between 1991 to 2012, Belorussian journalist and oral historian Svetlana Alexievich travelled the countries that constituted the former USSR conducting interviews with the “the little great people” who had lived under Soviet communism and witnessed... Read more... |
Daniil Trifonov, RFH review - devil in the worksFriday, 01 November 2019
For the first 20 or so minutes and the second encore of this generous recital, I turned into a Trifonite, in thrall to the 28-year-old Russian pianist's communicative powers. Has Scriabin, in an imperious sweep from early to late, ever made more... Read more... |
Vassa, Almeida Theatre review - delayed opening doesn't landWednesday, 23 October 2019
Even the mighty Almeida is allowed the occasional dud and it’s sure as hell got one at the moment with Vassa. Maxim Gorky’s 1910 play (rewritten in 1935) about a matriarch in extremis some years back proved a stonking West End star vehicle... Read more... |
