sat 08/02/2025

Sadler's Wells

Rooster/Four Elements/Sounddance, Rambert, Sadler's Wells

Sure as carbon dioxide and the greenhouse effect, the 2010s are following a standard 20-year nostalgia cycle by embracing the 1990s as their "retro twin" decade. The quiet rumblings of the last few years – student Nineties parties and the...

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Romeo and Juliet, Scottish Ballet

Watching The Royal Ballet’s The Winter’s Tale a few weeks ago, I was struck by the quasi-absurdity of adapting the Bard for dance - a thought numerous choreographers must have encountered while toying with the idea. The complexity of Shakespeare’s...

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theartsdesk Q&A: Lighting Designer Michael Hulls

Last night the Olivier Awards handed their top honour for dance not to a dancer but to the man who shines the lights on the dancers. Michael Hulls, winner of the Outstanding Achievement in Dance award, paints the dancing of Sylvie Guillem, Akram...

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The Rite of Spring & Petrushka, Fabulous Beast Dance Theatre, Sadler's Wells

Stravinsky’s Rite of Spring captures the pulsing terror of seasonal change, the relentless onward drive of nature that brings death closer even as life burns at its most ferocious. The 1913 première of the ballet created by Vaslav Nijinsky...

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tauberbach, les ballets C de la B, Sadler's Wells

Belgian Alain Platel makes the kind of dance theatre (like Pina Bausch, to whom he has an oft-remarked debt) for which both “dance” and “theatre” are very loose and inadequate umbrella terms. “Sets” are often jaw-dropping colonisations of stage...

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theartsdesk Q&A: Choreographer Hofesh Shechter

Israeli-born choreographer Hofesh Shechter has had a meteoric rise. Ten years ago, he was a dancer in somebody else’s company who had just taken a couple of steps into choreography. Now he has his own full-time company, can pack out Sadler’s Wells...

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Trasmín/Gala Flamenca, Sadler's Wells

In Trasmín, the curtain rises on two bodies leaning apart, yet reaching back to face one other, each columnar figure a twisted into a perfect spiral line from knees to the tips of curved fingers. Their feet are concealed by the great fabric swathes...

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La Pepa, Ballet Flamenco Sara Baras, Sadler's Wells

“Goya!” I scribbled enthusiastically in the first moments of La Pepa. “Dos de Mayo! Art as witness to history!” Despite the clichéd use of flickering strobes and a stock “chaotic” soundtrack of shouts and crashes, this opening scene purporting to...

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Nine Songs, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells

In 2008, a disastrous fire gutted Cloud Gate’s rehearsal studio in Taipei destroying props, costumes and the company archive. Amazingly though, the masks worn by the deities in Nine Songs survived the blaze and Lin Hwai-min, founder of the award-...

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1980, Tanztheater Wuppertal, Sadler's Wells

Review convention is to put this at the end, but I can’t risk you stopping reading before I can say: go and see 1980 while it is at Sadler's Wells this week. It is one of the most extraordinary works you will ever watch.If ballet is about...

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Boris Charmatz/Musée de la danse: Enfant, Sadler’s Wells

At first the machines are in control. A crane drags the inert body of a woman across the floor, lifts her up and leaves her dangling from the waist. A man follows, dragged by one foot and suspended upside down. The two bodies rise and fall or swing...

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Boing!, Lilian Baylis Studio Theatre

Boing! shows that for a successful dance theatre production for children, you don't need very much. In fact, all that's required is a simple bed frame centre stage and a particularly bouncy mattress.Travelling Light and Bristol Old Vic teamed up...

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