Sadler's Wells
La Fille Mal Gardée, Birmingham Royal Ballet, Sadler's WellsFriday, 21 October 2011![]() It may be that there is no sunnier place than Ashton’s La fille mal gardée. Certainly there is no sunnier ballet. It speaks not of great drama, nor ecstasy, but instead of gentle happiness, of quiet content and loving kindness. Not, one might think... Read more... |
Emanuel Gat Dance, Brilliant Corners, Sadler’s WellsMonday, 10 October 2011![]() “Jazz is my adventure,” said Thelonious Monk. “I’m after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That’s it. Just using notes differently.” Based on the title of the new hour-long piece by Israeli... Read more... |
Akram Khan, DESH, Sadler's Wells TheatreThursday, 06 October 2011![]() It takes more than utmost craft and rich personality to hold the stage as a soloist - it takes a touch of divine self-belief, which Akram Khan has never displayed to more magnetic effect before than in his new solo DESH. Actually solo is too small a... Read more... |
La La La Human Steps, New Work, Sadler's WellsThursday, 29 September 2011![]() The first half-hour of Edouard Lock’s nameless new piece is some of the most thrilling dance imaginable; dynamic, mercurial, as men and women convulsed with frenzy fight each other in stark spotlights in the dark. They’re dressed in black, so that... Read more... |
Q&A Special: Ballerina Sylvie GuillemWednesday, 28 September 2011![]() The star ballerina Sylvie Guillem was rehearsing in London when she heard about the cataclysmic Japanese earthquake last spring, and the devastating tsunami in its aftermath. It was an apocalyptic blow that she felt personally. Since her first visit... Read more... |
TeZukA, Sadler's WellsThursday, 08 September 2011![]() Edit, edit. Inside TeZukA there’s a charming, elliptical, hugely stylish piece begging to be sliced and trimmed into focus - just as the manga master Osamu Tezuka must have daily occupied himself with as he prepared his graphic cartoons. The visuals... Read more... |
How Manga Comics Became A DanceTuesday, 06 September 2011![]() A new production opens tonight at Sadler's Wells based on the graphic novels of Osamu Tezuka, Japan's master of manga art. Choreographer Sidi Larbi Cherkaoui and composer Nitin Sawhney shared a love of comics as a boy that turned into the more... Read more... |
Hofesh Shechter, Political Mother: The Choreographer's Cut, Sadler's WellsTuesday, 12 July 2011![]() Only three years ago, Hofesh Shechter, the Israeli-born, London-based choreographer, made the leap into the big leagues, almost overnight, with his Uprising/In Your Rooms double bill. The following year he produced a "Choreographer’s Cut", a bulked-... Read more... |
Sylvie Guillem, 6000 Miles Away, Sadler's Wells TheatreThursday, 07 July 2011![]() Sylvie Guillem is back, chicken-skinny, middle-aged, dressed like a dowd. Did I just write that? And let’s add: as swift as mercury, as exact as a feather, as light as the sun, and as eternal in intelligent beauty as Nefertiti. In contemporary dance... Read more... |
Contemporary Dance Weekend, BBC FourSaturday, 02 July 2011![]() Yesterday was a day when male physicality and the science of movement preoccupied - when you watch Rafa Nadal or Jo-Wilfried Tsonga, you can’t help thinking about the contrasts of grace that achieve the same athletic needs; Nadal the pouncing... Read more... |
Joanna MacGregor, Wigmore Hall/ Sol Picó, Sadler's Wells TheatreSunday, 26 June 2011![]() The two-course evening out is made possible by the Wigmore Hall’s late Friday-night concerts, so if you get out of a central-London show - or dinner - by, say, 9.30, you can add a second layer of entertainment at 10. In my case, a ferociously poor... Read more... |
Dave St-Pierre Company, Un Peu de Tendresse, Sadler's WellsFriday, 03 June 2011![]() When asked if I wanted to go and see two dozen naked Canadians doing audience participation, the answer was, self-evidently, nonononononononono. And then, for good measure, NO. Well, I’m here to tell you, I was wrong. Wrong, wrong, wrong. And I... Read more... |
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