San Francisco
Classical CDs Weekly: Ives, Shchedrin, VeprikSaturday, 14 March 2020
Ives: Symphonies 3&4 San Francisco Symphony Orchestra/Michael Tilson Thomas (SFS Media)Charles Ives’s Symphony No. 3, subtitled ‘The Camp Meeting’, was completed in 1911 but waited until 1946 for its premiere, long after Ives had given up... Read more... |
Rebecca Solnit: Recollections of My Non-Existence review - feminism, hope and the great American WestSunday, 08 March 2020
Rebecca Solnit’s autobiography, Recollections of My Non-Existence, is just as you might expect it to be – tangential, changeable, deeply feminist, and imbued with a sense of hope that undercuts her wild anger at the world’s injustices. It says much... Read more... |
Show Me the Picture: The Story of Jim Marshall review - needles, guns and grassSaturday, 01 February 2020
In photographer Jim Marshall’s heyday in the 60s and 70s, before the music business became corporate and restrictive, and before Marshall unravelled – he was partial to cars, cocaine and guns as well as cameras – musicians asked for him, they... Read more... |
The Last Black Man in San Francisco review - gentle gentrification bluesSunday, 27 October 2019
San Francisco has rarely looked more unattainably golden than in Joe Talbot’s Sundance prize-winning gentrification parable. Jimmie (Jimmie Fails) once belonged inside the city’s Californian Dream, symbolised for him by the grand Victorian-style... Read more... |
JT Leroy review - pseudonym, avatar, literary hoaxWednesday, 14 August 2019
Based on Savannah Knoop’s memoir Girl Boy Girl: How I became JT LeRoy, Justin Kelly’s film skims the surface of the sensational literary hoax of the early 2000s, that far-off time before avatars, gender fluidity and fake online identity were part of... Read more... |
Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San FranciscoFriday, 07 June 2019
It helps to be of a certain vintage to appreciate the first impact of Tales of the City. Armistead Maupin’s column, begun in the San Francisco Chronicle in 1978 as a frank and joyous portrayal of gay culture, became a series of half a dozen cult... Read more... |
San Francisco Ballet, Liang/Marston/Pita, Sadler's Wells - elemental, ethereal and kitschy, tooTuesday, 04 June 2019
Sun, snow, and some unadorned silliness danced to the music of Björk: no one can accuse San Francisco of casting an insufficiently wide tonal (or climatic) net in this second of four programmes on view from San Francisco Ballet as part of their... Read more... |
'I wrote a letter to Björk in Icelandic and it did the trick': Helgi Tomasson on an intervention that saved a balletTuesday, 28 May 2019
Visits from major foreign ballet companies are always news, but a two-week London season by one of America’s “big three” is something to get excited about. San Francisco Ballet doesn’t rest on its laurels. Eight of the 12 pieces offered in the... Read more... |
The Bletchley Circle: San Francisco, ITV review - the ludicrous in search of the preposterousThursday, 26 July 2018
Belatedly picking up from where series 2 of The Bletchley Circle left off in 2014, this comeback version has a go at transporting a couple of the original characters to the Californian West Coast, where they embroil themselves in the hunt for that... Read more... |
CD: Wooden Shjips - VTuesday, 05 June 2018
Wooden Shjips’ new album was apparently written as a “summer record” and, if that was Ripley Johnson and his psychedelic confederates’ intent, it has been fully achieved. While this may not be immediately apparent to fans of Calvin Harris, David... Read more... |
theartsdesk Q&A: Homer Flynn, spokesman for The ResidentsSaturday, 28 October 2017
An encounter with Homer Flynn is disconcerting as the extent of his involvement in The Residents is unclear. He acknowledges that he speaks for the eyeball-headed quartet whose identities are unknown. As he talks, it's clear he has intimate... Read more... |
CD: Deerhoof - Mountain MovesMonday, 04 September 2017
With the wind behind them, the San Francisco-founded band Deerhoof are one of the greatest live experiences you can have. Two decades since their first album, they still have a relentlessly experimental hunger for sonic surprise, mixing... Read more... |
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