Scotland
Thomas H. Green
Boards of Canada have it nailed. If we are to believe what we’re told, Scottish brothers Michael Sandison and Marcus Eoin are semi-permanently holed up in rustic heathlands south-west of Edinburgh, beavering with mystical intensity at analogue electronica. Every few years they release an enigmatic slice of it that’s pure, classic Warp Records on… Warp Records.They have developed a non-image that somehow intimates whiffs of the occult, particularly of The Wicker Man variety, of spooky 1970s public information films and general uncanny Berberian Sound Studio-style weirdness. Not since the prime Read more ...
Kieron Tyler
It's apt that the word "slow" crops up in the title of the first album proper in 16 years from Scotland’s seminal and influential indie kingpins. "Stately" would be even more suitable. The pace at which Stephen McRobbie and long-term accomplice Katrina Mitchell move is akin to the speed change is accommodated by the rules governing accession to the British throne. And, in many ways, The Pastels are as important to the fabric of what makes this island nation tick as the royal family. Without the Pastels there would have been no Creation Records, no Jesus & Mary Chain, no Primal Scream.As Read more ...
Kieron Tyler
Shuggie Otis: Inspiration Information/Wings of LoveShuggie Otis's vanishing act after the release of his 1974 album Inspiration Information belatedly created one of pop’s great what-ifs. However, it only became so in the Nineties after the album was recognised as a soul treasure. David Byrne reissuing the album on his Luaka Bop label in 2001 didn’t plug the information gap, and Otis remained in the shadows. Now though, with this new reissue, the enigmatic soul auteur has resurfaced to supplement the album with a series of unreleased tracks dating from 1971 to 2000. Whatever else he was doing Read more ...
Kieron Tyler
Simple Minds: Celebrate – The Greatest Hits +Of all the bands which surfaced in 1977 in response to punk, Simple Minds occupy a singular status. Despite line-up changes, they have never split up. After their 1982 success with “Promised You a Miracle”, they have never surrendered the glittering prize. Their enviable career is defined by a tenacity which can go hand-in-hand with a music that runs on rails. Although they can’t be faulted for sometimes putting their musical development on hold to embrace causes and the needs of the stadium, this chronologically sequenced triple CD suggests their Read more ...
Jasper Rees
There has always been a keen air of propulsion to the career of James McAvoy. He made his name on television in State of Play and Shameless, while early film roles in Starter for 10 and Inside I’m Dancing swiftly promoted him up the leading man’s ladder to appear in The Last King of Scotland, Atonement, The Last Station, X-Men: First Class and, as of this month, Welcome to the Punch.Equally comfortable playing romantic leads and action heroes, he has never been quite a force in theatre. This is partly a matter of choice. He has prioritised screen roles over stage opportunities. The last time Read more ...
Adam Sweeting
Apparently on a clear day in the Shetlands, you can see Norway and Iceland. And from about halfway through the first instalment of this Caledonian murder mystery, you could see all the way to the final reel and take a well-educated guess about who did it.I was reading an opinion somewhere the other day that ITV's Broadchurch was an inferior rip-off of such fashionable Scandinavian fare as The Killing or The Bridge. Can't see it myself. Shetland, on the other hand, was riddled with Nordicisms and fit the bill perfectly. Shetland (the place) was even a Norwegian province back in the Middle Ages Read more ...
Kieron Tyler
As a finely drawn portrayal of loneliness and solitude encouraged by bottled-up emotions, Shell would be noteworthy enough. But it also contains two scenes – father and daughter interactions - that are deeply uncomfortable viewing. First-time feature director Scott Graham’s encapsulation of the life of 17-year old Shell and her father Pete’s life at an isolated Scots garage isn’t going to be quickly forgotten.Shell’s mother left years ago, for unspecified reasons. With an epileptic father, her routine, such as it is, is set by the infrequent customers that stop to fill up on the journey Read more ...
Thomas H. Green
Straight out of Dumfries, Mull and Inverness, via Edinburgh, with a sound and songs that boast originality and imagination, Homework are small in profile but already nigh-on perfectly formed. Their name, judging from the album cover and sounds within, is a nod to Kraftwerk, but 13 Towers is no retro synth-fest.This four-piece combine electronic effects, pulses and tones with guitars and modern, driving, catchy songs. Not for them, either, the currently in-vogue Vampire Weekend-with-a-synth route. Theirs is not bland indie with slight electronic trimmings. Instead they draw on all sorts of Read more ...
Veronica Lee
The last time James McAvoy played the Scottish king, it was in a scintillating reworking of the play written in the modern idiom by Peter Moffat, for the BBC's ShakespeaRe-Told season in 2005. McAvoy was Joe Macbeth, a Glasgow chef passionate about his work, the restaurant kitchen where he worked a fitting place for the play's blood and gore.Jamie Lloyd's production is equally thrilling and radical, and is set 50 years hence in a (possibly) post-independence Scotland, brutalised by war and, we may assume from the programme notes, ravaged by the effects of climate change. Soutra Gilmour's Read more ...
Lisa-Marie Ferla
In theory, it’s close to impossible to achieve some semblance of mainstream success without being decried as a sellout by at least a proportion of your fanbase. Yet I don’t think there was a Scottish indie music fan who greeted this week's news that Frightened Rabbit had scored a Top 10 chart place for their major-label debut without a mixture of pride and delight.It helps of course that on Pedestrian Verse, Selkirk’s most famous sons have stripped back the slight gloss of over-production that threatened to overwhelm 2010’s The Winter of Mixed Drinks. This fourth album sees Scott Hutchison’s Read more ...
David Nice
Viennese night in Glasgow’s Candleriggs was hardly going to be a simple matter of waltzes and polkas. True, its curtain-raiser was a Blue Danube with red blood in its veins rather than the anodyne river water of this year’s New Year concert from Austria’s capital; one would expect no less from Donald Runnicles after the refined but anaemic Franz Welser-Möst. In Runnicles’s programme, though, extreme contrast was all: J Strauss II spookily echoed by the elegiac 3/4s in Berg’s Violin Concerto, and another 12-tone boy, Webern, exercising restraint in arrangements of Schubert’s German Dances to Read more ...
Lisa-Marie Ferla
On first play No Selfish Heart, the solo debut from The Phantom Band’s stately baritone Rick Anthony, sounds a world away from the sonic experimentation often played out in the singer’s work elsewhere. Take the time to listen closely, however, and a collection that seems to take its cues from traditional folk songwriting reveals itself to be far more complex: beautiful, menacing and darkly comic.While it’s not uncommon for such solo efforts to be several years in the making, No Selfish Heart has had an even longer genesis than most - with some of this material from Anthony’s ‘Redbeard’ alter- Read more ...