sculpture
Donna Fleming: Apocalypse, The Pie Factory, Margate review - personal passions and intense feelingsMonday, 14 November 2022
Donna Fleming’s exhibition at the Pie Factory Gallery in Margate is called Apocalypse, which is confusing because it has nothing to do with the end of the world. Fleming does not even watch the news because she “does not want to think about... Read more... |
Isamu Noguchi, Barbican review – the most elegant exhibition in townFriday, 01 October 2021
Isamu Noguchi may not be a household name, yet one strand of his work is incredibly familiar. In 1951 he visited a lamp factory in Gifu, a Japanese city famous for its paper lanterns. This prompted him to design the lampshades that, for decades,... Read more... |
The Making of Rodin, Tate Modern review - surrealist tendenciesSaturday, 05 June 2021
Undoubtedly the strangest thing in this exhibition dedicated to Rodin’s works in plaster is a rendition of Balzac’s dressing gown, visibly hollow, but filled out nevertheless by the ghostly contours of an ample male form. Not surprisingly, the... Read more... |
Camille Laurens: Little Dancer Aged Fourteen review - the story of a sculptureSunday, 05 July 2020
Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular... Read more... |
Visual Arts Lockdown Special 4: half-way housesWednesday, 01 July 2020
With the first round of galleries opening their doors in June and a new round getting ready to open in July, we’ve a half-way home of a roundup this week. This month’s re-openings include the National Gallery, the Royal Academy, the Barbican, the... Read more... |
Visual Arts Lockdown Special 2: read, search, listen, createTuesday, 05 May 2020
Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,... Read more... |
Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perceptionTuesday, 03 March 2020
Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing... Read more... |
Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?Tuesday, 04 February 2020
Are you a fan of oysters or Marmite? Mary Beard is not to everybody’s taste, but love her or loathe her she is not only a distinguished academic but a ubiquitous writer and presenter of classical histories, connected travels, and ruminations on... Read more... |
The Best Exhibitions in LondonThursday, 30 January 2020
Picasso and Paper, Royal Academy ★★★ A fascinating subject that proves too unwieldy for a single exhibition. Until 13 Apr Rembrandt's Light, Dulwich Picture Gallery ★★★★ A novel collaboration between curators and cinematographer Peter... Read more... |
Caravaggio & Bernini, Kunsthistorisches Museum, Vienna - high emotion in 17th century RomeSaturday, 14 December 2019
It doesn’t matter where you stand, whether you crouch, or teeter on tiptoe: looking into the eyes of Bernini’s Medusa, 1638-40, is impossible. The attempt is peculiarly exhilarating, a game of dare made simultaneously tantalising and absurd by the... Read more... |
Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellionThursday, 10 October 2019
Now in her mid-seventies, Anna Maria Maiolino has been making work for six decades. Its a long stretch to cover in an exhibition, especially when the artist is not well known. Perhaps inevitably, then, this Whitechapel Gallery retrospective seems... Read more... |
Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seenWednesday, 29 May 2019
It is a commonplace to describe Leonardo as an enigma whose genius, and perhaps even something of his character, is revealed through his works. But as his works survive only in incomplete and fragmented form, it is drawing, the practice common to... Read more... |
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