sat 30/11/2024

sculpture

Young Reviewer of the Year Award Winner: Katherine Waters on Marc Quinn

The best way to see Marc Quinn’s exhibition at Sir John Soane's Museum is to begin at the end, in a room explaining the process of casting the sculptures’ moulds from the entwined bodies of him and his partner, dancer Jenny Bastet.Alongside text...

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Rachel Whiteread, Tate Britain review – exceptional beauty

The gallery walls of Tate Britain have been taken down so turning a warren of interlinking rooms into a large, uncluttered space in which Rachel Whiteread’s sculptures are arranged as a single installation. What a challenge! And curators Ann...

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Matisse in the Studio, Royal Academy review - a fascinating compilation

A 19th-century silver and wood pot in which to make chocolate, pertly graceful; 17th-century blue and white Delftware; a Chinese calligraphy panel; a 19th-century carved wooden god from the Ivory Coast; a bronze and gold earth goddess from South-...

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theartsdesk in Antwerp: Richard Deacon says nothing

Something like a parked zeppelin sits on three mirrored legs on a museum lawn in Belgium. It’s a cigar-shaped steel fabrication that, were it to float free of its three legs, could also pass for a UFO. But given the context - a sculpture park...

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Alberto Giacometti, Tate Modern

Chain-smoking and charismatic, the painter, sculptor, draughtsman and printmaker Alberto Giacometti (1901-1966) lived much of his life in Paris from his arrival there in his twenties. He was just in time for post-war cubism and pre-war surrealism,...

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Richard Long: Earth Sky, Houghton Hall

“I’m a great opportunist,” says Richard Long, a statement that for all its economy brims with contradictions and possibilities. While his sculptures made in wild and far-flung places often look stumbled-upon, incidental, his method is so careful and...

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Michelangelo's Madonna and Child

Michelangelo's Taddei tondo, which depicts the Madonna and Child with the Infant St John in a rocky landscape, is the only Michelangelo marble in Britain. Currently one of the stars of the National Gallery's Michelangelo & Sebastiano show, it is...

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Fourth Plinth: How London Created the Smallest Sculpture Park in the World

I have always felt very lucky to have been working as an artist in London during the period when it transformed into the capital of the art world. It has been a beautiful, fascinating and profitable ride. When I started art school in 1978,...

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Madonnas and Miracles: The Holy Home in Renaissance Italy, Fitzwilliam Museum, Cambridge

A lovely, scholarly and gently revelatory exhibition, Madonnas and Miracles explores a neglected area of the perennially popular and much-studied Italian Renaissance – the place of piety in the Renaissance home. We are used to admiring the great...

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Tree of Codes, Wayne McGregor, Sadler's Wells

Tree of Codes is a work made from a work made from a work. Based on Jonathan Safran Foer's book-form art piece, which is itself based on Bruno Schulz's The Street of Crocodiles, Wayne McGregor has fashioned a choreographic creation using a...

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Rodin and Dance: The Essence of Movement, Courtauld Gallery

This is an inspired and beautifully curated exhibition. It is subtitled The Essence of Movement, but it could equally be called The Essence of Art. What marks it out is not only the sensitively selected and tightly focused content, but also its...

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David Shrigley: Really Good, Fourth Plinth

It was inevitable that David Shrigley's breezy new sculpture for Trafalgar Square – part of the popular Fourth Plinth Programme – would be appropriated for political purposes. As the giant seven-metre-high thumbs-up Really Good was unveiled by Mayor...

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