wed 24/04/2024

sculpture

Alberto Giacometti, Tate Modern

Chain-smoking and charismatic, the painter, sculptor, draughtsman and printmaker Alberto Giacometti (1901-1966) lived much of his life in Paris from his arrival there in his twenties. He was just in time for post-war cubism and pre-war surrealism,...

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Richard Long: Earth Sky, Houghton Hall

“I’m a great opportunist,” says Richard Long, a statement that for all its economy brims with contradictions and possibilities. While his sculptures made in wild and far-flung places often look stumbled-upon, incidental, his method is so careful and...

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Michelangelo's Madonna and Child

Michelangelo's Taddei tondo, which depicts the Madonna and Child with the Infant St John in a rocky landscape, is the only Michelangelo marble in Britain. Currently one of the stars of the National Gallery's Michelangelo & Sebastiano show, it is...

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Fourth Plinth: How London Created the Smallest Sculpture Park in the World

I have always felt very lucky to have been working as an artist in London during the period when it transformed into the capital of the art world. It has been a beautiful, fascinating and profitable ride. When I started art school in 1978,...

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Madonnas and Miracles: The Holy Home in Renaissance Italy, Fitzwilliam Museum, Cambridge

A lovely, scholarly and gently revelatory exhibition, Madonnas and Miracles explores a neglected area of the perennially popular and much-studied Italian Renaissance – the place of piety in the Renaissance home. We are used to admiring the great...

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Tree of Codes, Wayne McGregor, Sadler's Wells

Tree of Codes is a work made from a work made from a work. Based on Jonathan Safran Foer's book-form art piece, which is itself based on Bruno Schulz's The Street of Crocodiles, Wayne McGregor has fashioned a choreographic creation using a...

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Rodin and Dance: The Essence of Movement, Courtauld Gallery

This is an inspired and beautifully curated exhibition. It is subtitled The Essence of Movement, but it could equally be called The Essence of Art. What marks it out is not only the sensitively selected and tightly focused content, but also its...

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David Shrigley: Really Good, Fourth Plinth

It was inevitable that David Shrigley's breezy new sculpture for Trafalgar Square – part of the popular Fourth Plinth Programme – would be appropriated for political purposes. As the giant seven-metre-high thumbs-up Really Good was unveiled by Mayor...

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Helaine Blumenfeld: 'Beauty has become synonymous with something banal'

Helaine Blumenfeld was living in Paris in the 1960s when she received an invitation from the Russian-born sculptor Ossip Zadkine to attend one of his salons. Zadkine had emigrated to Paris at the beginning of the century, evolving a style influenced...

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Bricks!, BBC Four

The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from...

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Giuseppe Penone, Marian Goodman Gallery

Guiseppe Penone’s lyrical and tactile works, made from the simple elemental materials that typify the 1960s Italian Arte Povera movement (of which he is a key exponent), belong largely to the outside world of woods and gardens. But they also find an...

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Imagine... Danger! Cornelia Parker, BBC One

Squash! Bulldoze! Blow-Up! Tie Up! Break-Up! Re-Build! There is practically nothing the artist Cornelia Parker won’t and can’t do with found materials, offcuts, the discarded and the recycled, not to mention tieing up Rodin’s The Kiss at the Tate in...

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