sex
Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revivalThursday, 14 March 2019
The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is... Read more... |
Leaving Neverland: Michael Jackson and Me, Channel 4 review - sordid revelations from the court of the King of PopThursday, 07 March 2019
Not just the Peter Pan of Pop, but also its very own Houdini. With the aid of shed-loads of money, an illusion-spinning PR machine and the most aggressive lawyers that money could buy, Michael Jackson managed to make it to his premature exit in 2009... Read more... |
Lou Sanders, Soho Theatre review - shame put under the spotlightTuesday, 26 February 2019
Have you ever felt the hot shame of saying or doing the wrong thing? Not just embarrassment – that's for amateurs, says Lou Sanders in her wonderfully honest and revealing show Shame Pig, in which she essays some of her life's red-faced moments.... Read more... |
CD: Royal Trux - White StuffSaturday, 23 February 2019
It's 18 years since the last Royal Trux album, but it might just as well be 18 months, so easily have they slipped back into their sound. OK, Neil Hegarty and Jennifer Herera have been gigging together again on and off since 2015, but even so it's... Read more... |
Mektoub, My Love: Canto Uno review - cold carnal overdose from KechicheSaturday, 16 February 2019
Abdellatif Kechiche, the Tunisian-French director, is perhaps best known for the lengthy and explicit sex scenes in La vie d’Adèle (Blue is the Warmest Colour). His latest film opens, slam in your face, with a sequence of passionate love-making:... Read more... |
Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowlThursday, 07 February 2019
The first line of this show is “I'm the guy who you meet right after you come out of a long-term relationship.” On the night I see The Guy Who..., Adam Riches has three tries with it before he meets his target, a woman who has been dumped by a... Read more... |
Burning review - an explosive psychological thrillerSaturday, 02 February 2019
Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer... Read more... |
Pure, Channel 4 review - sex, OCD and the single girlThursday, 31 January 2019
“No one wants a pervert for a daughter,” thinks Marnie (delightful TV newcomer Charly Clive), a 24-year-old from the Scottish Borders, who has intrusive thoughts. Don’t we all? But relentless graphic images about “fucked-up sex” have been messing... Read more... |
Kristen Roupenian: You Know You Want This review - twisted talesSunday, 27 January 2019
A one-night stand between a female college student, Margot, whose part-time job is selling snacks at the cinema, and thirtyish Robert, a customer, goes pathetically awry. It was disappointing, uneasy, perhaps more, and memorialised in all its edgy... Read more... |
When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the NationalThursday, 24 January 2019
When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands... Read more... |
The Hoes, Hampstead Theatre review - sex and drink and grimeSaturday, 10 November 2018
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now has a much stronger cultural presence than at the start of the decade. It seems to be a great time to be a female playwright, and Ifeyinwa Frederick's... Read more... |
Juliana, Nova Music Opera, St John's Smith Square review - new version of a classic dramaTuesday, 23 October 2018
Joseph Phibbs is not the first composer to make an opera out of Strindberg’s Miss Julie, and it is not difficult to see the operatic appeal of this taut, passionate three-handed drama. But there are also hazards: my recollections of the play,... Read more... |
