Shakespeare
Julius Caesar, Noël Coward TheatreThursday, 16 August 2012
It’s brave to take Shakespeare into the West End in midsummer – and in this of all summers. Greg Doran’s all-black, African Caesar certainly doesn’t lack for impact, colour, zest, urgency. It takes the audience by the scruff of the neck and rams the... Read more... |
Coriolan/us, National Theatre Wales/RSCFriday, 10 August 2012
National Theatre Wales like the word “us”. It was there in Michael Sheen’s Passion of Port Talbot – its film adaptation was called The Gospel of Us – and it is here, prominently, in the multi-layered title of Mike Pearson and Mike Brookes’ latest... Read more... |
Richard III, Shakespeare's GlobeThursday, 26 July 2012
“Would you enforce me to a world of cares?” croons Rylance’s Richard III, lingering tremulously over his question, the picture of world-sick piety and reluctance. As the groundlings cheer an ecstatic affirmative, Shakespeare’s most compelling... Read more... |
The Hollow Crown: Henry V, BBC TwoSunday, 22 July 2012
Forget the ages-old talk of London buses arranging their schedules so that they all arrive at once. The capital's patterns of public transport have nothing on the rapidity with which Henry V has hoved into view of late, whether at Shakespeare's... Read more... |
Shakespeare: Staging the World, British MuseumSaturday, 21 July 2012
Where on earth do you begin if all the world’s a stage? When not sifting through the entrails of dynastic English history or sunning themselves in Italy, the plays of Shakespeare really do put a girdle round the known globe. They send postcards from... Read more... |
Desdemona, Barbican HallSaturday, 21 July 2012
Peter Sellars has a talent for controversy, from his early days when he was the director who brought you Così fan tutte set in a diner on Cape Cod, Don Giovanni as a cocaine-snorting, Big Mac-eating slum thug, and Figaro getting married in Trump... Read more... |
Timon of Athens, National TheatreWednesday, 18 July 2012
As the much-loved Arthur Marshall so profoundly noted, Ibsen is “not a fun one”. One could, with as much truth, say the same about Shakespeare’s rarely staged Timon of Athens: its misanthropy, missing motivations and mercurial shifts in temper do... Read more... |
The Hollow Crown: Henry IV Part 2, BBC TwoSunday, 15 July 2012
One intends no discredit to the keenly judged monarch-to-be that is Tom Hiddleston's Prince Hal, who will reappear on the small screen next weekend carrying the story forward in Henry V, to point out that Richard Eyre's terrific BBC adaptation... Read more... |
Otello, Royal Opera HouseFriday, 13 July 2012
Pardon the anomaly of a lightly browned-up Latvian Moor married to a German-Greek beauty. This, after all, is not Shakespeare’s play but Verdi’s opera, for which all too few are born to sing heroic tenor Otello and lyric-dramatic soprano Desdemona.... Read more... |
The Hollow Crown: Henry IV Part 1, BBC TwoSunday, 08 July 2012
Now we're talking! Following on from a small-screen Richard II of greater aural than visual interest, along comes Richard Eyre's TV adaptation of both Henry IV plays, and the first thing that seems evident about Part One is how well it would... Read more... |
The Taming of the Shrew, Shakespeare's GlobeThursday, 05 July 2012
The Taming of the Shrew celebrates its own rumbustious, raucous (mis)behaviour, so why shouldn't Shakespeare's comedy be granted a production that follows suit? From an opening gambit involving bodily fluids sprayed in the direction of the... Read more... |
The Hollow Crown: Richard II, BBC TwoSunday, 01 July 2012
There was some pretty serious hair on view in the BBC's new film of Richard II, a play better-known for its luxuriant verse, and well there might be, given that the adaptation came to us courtesy that most fulsomely-maned of theatre directors,... Read more... |
