sun 10/08/2025

Shostakovich

Khachatryan, London Symphony Orchestra, Gergiev, Barbican Hall

Valery Gergiev’s survey of the Tchaikovsky symphonies began here on a chilly January night with youthfully idealistic Winter Daydreams thrown into the sharpest relief against a disillusioned and angry Shostakovich whose own journey into the bleak...

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London Philharmonic Orchestra, Vasily Petrenko, Royal Festival Hall

That in itself was enough to tell us that Petrenko isn’t just a supremely elegant conductor, an easy stylist able to make Stravinsky’s fiddly early Scherzo fantastique sound natural and to paper over the cracks of a tottering soloist, Oleg Marshev,...

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Farewell, Rudolf Barshai (1924-2010)

Rudolf Barshai: Shostakovich interpreter supreme and a musicians' musician

"Who?" many readers may be asking. You'll have to take it on trust - and a handful of outstanding recordings - that the Russian conductor, viola player and arranger, who died on 2 November aged 86, really was up there among the musical greats of his...

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Classical CDs Round-Up 13

'I had to cut the viola d’amore, but it was awful': Janáček's Intimate Letters quartet is restored to its original instrumentation in a new recording

This month’s releases include two contrasted crossover discs, one in tribute to Armenian Orthodox church music, the other by, er, Phil Collins-era Genesis. There’s an Elgar oratorio, and a disc of choral music inspired by the untimely death of a...

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Nicholas Daniel, Britten Sinfonia, MacMillan, Queen Elizabeth Hall

Nicholas Daniel: Tackling MacMillan's tough and brilliant new Oboe Concerto before slipping back into the ranks of the Britten Sinfonia

If you were one of the world's top soloists but with a limited concerto stock - as woodwind players' tend to be - wouldn't you find it more rewarding to work as a principal in the orchestral ranks? That's the ideal, surely, but few carry it out in...

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Mullova, London Symphony Orchestra, Nelsons, Barbican Hall

This season's LSO artist-in-focus, violinist Viktoria Mullova, is an incorrigible off-roader. The rougher the terrain the better. Early, modern, rock, folk: she'll absorb their shocks, vault their bumps, relish their pitfalls and come out without so...

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Birmingham Royal Ballet, Pointes of View, Birmingham Hippodrome

Elisha Willis in Tharp's 'In the Upper Room': 'This is a thrilling, mesmerising dance'

It can take almost as much courage for a ballet company to look backwards as forwards, and it’s one of the quirks of Birmingham Royal Ballet that you’ll find rare heritage ballets popping up in the mix. John Cranko’s The Lady and the Fool, a Fifties...

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Weilerstein, Minnesota Orchestra, Vänskä, Royal Albert Hall

Osmo Vänskä 'got his classy Minnesota Orchestra to lend their flexible legs to almost every vault required of them'

One usually has to wait until the fourth movement of a Bruckner symphony before one gets a decent, foot-tappin', knee-slappin' polka to dance to. But at last night's Prom Osmo Vänskä was jitterbugging - and, I think, even moonwalking - from the off...

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Ibragimova, BBC SO, Gardner/ BBC Singers, Endymion, Hill, Royal Albert Hall

Meditative experiences are hard to come by in the Royal Albert Hall. The twitching, scratching, fidgeting ticks of over 5000 people conspire to break your focus, to draw attention from the musical middle-distance back to the here and now. Last night...

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London Symphony Orchestra, Gergiev, Royal Albert Hall

On paper it was a perfect Monday night programme – Scriabin’s extravagant sprawl of a First Symphony and Stravinsky’s The Firebird in its roomy original ballet score. A pairing of youthful 20th-century Russians conducted by the 21st-...

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Fischer, LPO, Jurowski, Royal Albert Hall

Julia Fischer: poised and Olympian in Shostakovich

How did they do it? This was another Prom which looked almost too much on paper but worked hair-raisingly well in practice. It was a Vladimir Jurowski special: whizzing, clamorous demons versus introspective reveries, church bells bringing one...

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theartsdesk in Bregenz: The Genius of Mieczyslaw Weinberg

Ever since I can remember, the composer Mieczyslaw Weinberg has played a walk-on part in histories of Soviet music. If you find him in an index at all (probably under Vainberg or Vajnberg, and usually with the first name given him by a box-ticking...

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