sopranos
Stiletto, Charing Cross Theatre review - new musical excessWednesday, 02 April 2025
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of Music on BBC 1 after the Queen’s Speech in 1978 – well, don’t send them to Charing Cross Theatre for this show. But that other... Read more... |
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguiling trip around the worldMonday, 10 February 2025
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper of this enjoyably esoteric evening. Dutch cellist Hadewych van Gent began the pianissimo movement of... Read more... |
Maria review - Pablo Larraín's haunting portrait of an opera legendFriday, 10 January 2025
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary soprano Maria Callas would have known exactly what he meant, and she herself said “an opera begins long before the curtain goes up and ends long after it... Read more... |
Davis, National Symphony Orchestra, Maloney, National Concert Hall, Dublin review - operetta in excelsisThursday, 02 January 2025
In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in the music of the man she was born to sing, Richard Strauss. Berlin will witness her Arabella shortly,... Read more... |
Nardus Williams, Elizabeth Kenny, Spitalfields Music Festival review - layers behind a sweet Tower hourFriday, 28 June 2024
Behind this poignant, simple-seeming hour of music for soprano and lute(s) lay a spider-web of connections between outsiders in the City: rebels, prisoners, immigrants, Black Londoners. Elizabeth Kenny’s programme note wove it all together... Read more... |
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - enchantment in Mozart and StraussTuesday, 23 April 2024
Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital. In her native France, and in the rest of Europe, she has gathered ecstatic reviews for her performance... Read more... |
Alder, RPO, Petrenko, RFH review - strings and soprano sing their hearts outFriday, 09 February 2024
Had it taken place a week later, this concert might have gone under the dubious banner of "Valentine's Day Love Classics". But not of the bitty, Raymond Gubbay variety: Vasily Petrenko was absolute master of three late romantic scores which happened... Read more... |
Williams, Kenny, Wigmore Hall review - an afternoon of early-Baroque blissMonday, 29 January 2024
It’s hard to imagine that any London audience this winter will hear more thoroughly gorgeous singing – or more refined musical artistry all round – than Nardus Williams delivered at the Wigmore Hall on Sunday afternoon. This was a magical hour of... Read more... |
Album: Tarja - Dark ChristmasWednesday, 13 December 2023
In Finland Tarja Turunen is an institution. There, she’s regarded as a kind of heavy rock-flavoured fusion of Sarah Brightman and Maria Carey. She first came to prominence as the multi-octave singer for symphonic metal kingpins Nightwish but, since... Read more... |
Paris Chapters, Barbier Serrano, Finegan, Ling, Bloomsbury Festival review - beguiling journey around Irishmen abroadTuesday, 24 October 2023
Young French soprano Clara Barbier Serrano has everything it takes to shine in an overcrowded singers’ world, including vivacious communicative skills – I witnessed those for the first time last Tuesday, when she performed at the Oxford... Read more... |
Un ballo in maschera, Chelsea Opera Group, Cadogan Hall review - Italianate vitality, if not much finesseMonday, 23 October 2023
Eighteenth century Sweden is the nominal setting for A Masked Ball, but its essence is a unique mixture of Italian testosterone and French opéra-comique elegance. If this concert performance brought it closer to the indiscriminate vitality of early... Read more... |
La Traviata, Welsh National Opera review - memorable revival, unforgettable leadSaturday, 23 September 2023
It’s always tempting, at curtain-up in La Traviata, to settle back, half-close one’s eyes, and soak up the familiar without the anxiety of the new. Not this time you won’t. David McVicar’s lavish 2009 text-true staging is being revived with a... Read more... |
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