Southbank Centre
Philharmonia, Hrůša, RFH review - total brilliance in Bartók, Dvořák and StraussFriday, 03 February 2023
Salome was not to get her head on a silver platter: Jennifer Davis, due to sing the bloody final scene of Strauss’s opera, had been experiencing abdominal pains during her first pregnancy – mother and child are fine – and had to withdraw at a late... Read more... |
The Damnation of Faust, LPO, Gardner, RFH review - the devil's in the detailMonday, 06 February 2023
No work gives its listeners such pleasure on the way to hell (and back) as Berlioz’s rule-busting “dramatic legend”, The Damnation of Faust. It delivers not just flamboyant thrills, but low comedy, high drama, pathos, terror, nostalgia, pastoral... Read more... |
Ólafsson, LPO, Gardner, RFH review - spirit of delightMonday, 30 January 2023
This concert was advertised as the completion of an Elgar symphony cycle, though in the absence of the reconstructed Third, that meant the second of two. Both were planned with interesting concerto couplings. The First Symphony was presented with... Read more... |
Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to TennesseeThursday, 15 December 2022
We’ve had 75 years to get used to Scrooge McDuck, so we can hardly complain if the Americans indulge in a little cultural appropriation and send Charles Dickens’ misanthrope to Depression-era Tennessee for another whirl on the catharsis-redemption... Read more... |
Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedyFriday, 09 December 2022
Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill.For sure, the Finn – whose Violin Concerto Lisa Batiashvili... Read more... |
Mahler’s Ninth Symphony, LPO, Jurowski, RFH review - a performance to make the heart beat fasterMonday, 05 December 2022
This greatest of symphonies starts with what’s plausibly described as arrhythmia of the heart, so it shouldn’t have been surprising to find my own racing as Vladimir Jurowski drove a line through the peaks, troughs and convalescences of its massive... Read more... |
A Child of Our Time, LPO, Gardner, RFH review - the spirit still movesMonday, 28 November 2022
Half a century ago, Michael Tippett’s A Child of our Time felt inescapable. For a youth-choir singer in the London of that period, his wartime “modern oratorio” supplied a reference-point of ambition and achievement to which our exasperated elders... Read more... |
The Manhattan Transfer, Queen Elizabeth Hall review - a class actSaturday, 26 November 2022
On a dreary evening in our dark winter of discontent, a couple of hours spent in the company of The Manhattan Transfer was a joyous uplift. The sell-out audience at London’s Queen Elizabeth Hall clearly agreed, happily engaging in a sort-of call-and... Read more... |
Watts, Williams, The Bach Choir, Philharmonia, Hill, RFH review - Vaughan Williams, from decadence to metaphysicsSaturday, 19 November 2022
David Hill, long-term driving force of the Bach Choir which Vaughan Williams sang in for 18 years before becoming its music director in 1921, claims VW as “a quintessentially English composer”.That was rather less the case in Thursday night's choice... Read more... |
First Person: composer and co-founder of The Multi-Story Orchestra Kate Whitley on car-park creativityMonday, 07 November 2022
We started The Multi-Story Orchestra back in 2011 with a group of friends when we’d left university. Conductor Christopher Stark and I basically wanted to find new ways to play orchestral music that would escape formal concert halls and be more... Read more... |
The Hermes Experiment, Purcell Room review - familiar objects, unfamiliar soundsSaturday, 05 November 2022
The Hermes Experiment are the cool kids of the contemporary music school, who have brought a "build-your-own-repertoire" approach to generating music for their unique combination of soprano, clarinet, harp and double bass. As their name would... Read more... |
Dongyang Gozupa, Purcell Room review - K-Music’s power trioFriday, 04 November 2022
A minute before coming on stage, the audience is asked to observe a minute’s silence for the victims of the Halloween tragedy in the central Itaewon district of the South Korean capital of Seoul. The stage is dark, clouds of dry ice forming a... Read more... |
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