mon 02/12/2024

Soviet Union

Greece showers Soviet art riches on London

There’s a lot of Soviet art about at the moment – the excellent show that opens this Saturday at the Royal Academy has Constructivist and Suprematist paintings and drawings loaned by the George Costakis Collection in Thessaloniki. Now, at Annely...

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Building the Revolution: Soviet Art and Architecture, 1915-1935, Royal Academy

I’m not sure I’ve ever felt so ambivalent about a show, and so strongly both pro and con. The pros first, then. This is an astonishing, revelatory exhibition of avant-garde art and architecture in the Soviet Union in the brief but hectic period from...

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DVD: The Colour of Pomegranates

A magician in cinema: Sergei Paradjanov's 'The Colour of Pomegranates'

A master of visual cinema, primus inter pares, Sergei Paradjanov was a law unto himself in Soviet cinema of the 1960-1980s; his body of work from the Caucasus in that period is as visually innovative and brightly colourful as anything in cinema. A “...

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The Hour, Series Finale, BBC Two

Part of the fun of watching The Hour, in the absence of a coherent plot, convincing characters and plausible period dialogue, was ruminating on the myriad different ways it could be sliced: a grown-up Press Gang meets Mad Men? The Spy Who Came in...

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theartsdesk in Tbilisi: The Dilemma over Georgian Architecture

Old Tbilisi: Gudiashvili Square, the balcony of 'Lermontov's House'

In Tbilisi, Georgia, artists and art historians are calling for the Government to stop destroying their classic Old Town with its winding streets and wooden balconies. New organisations have been formed, exhibitions held to publicise this creeping...

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theartsdesk in Odessa: Monty Python on the Black Sea

Odessa must be one of Central Europe’s more distinctive cities, characterised by a profoundly cosmopolitan ethnic mix over more than two centuries. It was one of the most international cities in the Tsarist empire, while in Soviet times it honed...

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The Light Thief

You don’t tend to get many films from the breakaway republics of the former Soviet Union. And certainly not from Kyrgyzstan. The Light Thief is the kind of work which schleps respectably around the festival circuit harvesting nods of approval from...

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DVD: The Kremlin Letter

Patrick O'Neal and Bibi Andersson in 'The Kremlin Letter': as bleak a movie as John Huston ever made

John Huston’s 1970 spy movie is the sort of baggy, eccentric work that is routinely dismissed by critics at the time, but whose untidy pleasures become apparent with age. Max von Sydow and Orson Welles are among the cheap but arresting all-star...

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DVD: Macbeth

Your Macbeth opens in the round, tailored to a small studio theatre. In entrusting it to television, do you engage someone experienced in the medium to render faithfully the spaces and the talking heads, as Trevor Nunn did for the deservedly...

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theartsdesk Q&A: Conductor Neeme Järvi

Honour your senior master conductors: there aren't so many of them left now. Abbado and Haitink spring most readily to mind, but orchestral musicians may also nominate Neeme Järvi, who celebrated his 74th birthday last week. A passionate patriot and...

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X-Men: First Class

If there's one thing Hollywood hates more than people bootlegging its latest blockbusters on mobile phones, it's letting a lucrative franchise go to waste. Thus, after the initial three X-Men films and 2009's Wolverine spin-off, you are invited to...

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Christine Borland & Kerry Tribe, Camden Arts Centre

Christine Borland: 'Cast From Nature'

“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something...

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