thu 29/09/2022

Tchaikovsky

Gillam, Brodsky Quartet, Manchester Camerata, Buxton International Festival 2022 review - a freshness in classic Elgar

It’s an ill heatwave that brings nobody any good, and Buxton International Festival’s decision to move its highlight concert, by Manchester Camerata with Jess Gillam and the Brodsky Quartet as their guests, from the Buxton Octagon to St John’s...

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First person: Ukrainian violinist Valeriy Sokolov on performing while his homeland is destroyed

A fortnight ago I performed Tchaikovsky's Violin Concerto with the Aurora Orchestra, joining them and their Principal Conductor Nicholas Collon in Cologne. Tonight we shall present the same programme at the Royal Festival Hall. These are my first...

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Eugene Onegin, Opera Holland Park Young Artists review - intimacy and reflection

Sitting in a huge marquee on a June evening, with the sun peeking through every gap in the canopy, it is quite a stretch to imagine yourself in the remote countryside of rural Russia. But this new production of Eugene Onegin manages that, and with a...

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Russians and friends play on for Ukraine

National sensitivities are running understandably high right now in the thick of an ever-escalating aggression. What a shame that the Southbank Centre has excluded Russian artists from performing alongside British and Ukrainian performers to bring a...

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Liebeck, Bournemouth SO, Hasan, Lighthouse, Poole review - evergreen gifts of melody

Having conducted two Discovery programmes with the LSO after being a finalist in the 2016 Donatella Flick competition, London-born Kerem Hasan went on to win the Nestlé and Salzburg Festival Young Conductors Award in 2017. Operatic entrées arrived...

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Matthew Bourne's Nutcracker!, Sadler's Wells Theatre review - new candy, but the nuts are off

The legendary quip of a sophisticated ballet critic that we are all one Nutcracker nearer death never rang so true as now. One goes to the theatre with one’s heart in one’s mouth, behind the partypooping mask.Matthew Bourne’s dance panto Nutcracker...

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Bournemouth SO, Litton, Lighthouse, Poole review - a Coup de Ballet sans dancers

Welcome back Andrew Litton, Conductor Laureate of the Bournemouth Symphony, for the latest of many happy annual returns since his tenure as Principal Conductor between 1988 and 1994.Lighthouse was thronged with devoted supporters for both the...

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Eugene Onegin, Garsington Opera review - choral and orchestral opulence for Tchaikovsky

Peasant harvesters enter from the facsimile of Lady Ottoline Morrell’s Garsington garden to the right (stage left) of the state-of-the-art pavilion and, splendidly led by a solo tenor (Dominick Felix), burst into song. The temptation is to burst...

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Swan Lake, LPO, Jurowski, Marquee TV review - full Tchaikovsky score perfectly paced

Two regrets and a tentative hope before full praise for what has to be the best complete Swan Lake in concert ever. Not everyone will be sorry, as I am, that Jurowski chose for his grand leavetaking as music director of the London Philharmonic...

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Coote, Blackshaw, Fiennes, Wigmore Hall online review – lonely hearts club band

Why, in Lieder singing above all, should an outpouring of deep feeling so frighten critics? Alice Coote’s unabashed emotionalism as a recitalist can sometimes bring out the worst in the stiff-upper-lip brigade, as reactions to her high-impact...

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The Nutcracker: an end-of-year obituary

If dance lovers have learnt anything in recent months it's to take nothing for granted. How could we ever have been so blasé about The Nutcracker, whose annual reappearance in multiple productions was as inevitable as crowds on Oxford Street? As a...

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Classical CDs Weekly: Kirill Petrenko, Avi Avital, Ravel

 Berliner Philharmoniker/Kirill Petrenko: Music by Beethoven, Tchaikovsky, Franz Schmidt, Rudi Stephan (Berliner Philharmoniker Recordings)Kirill Petrenko’s supposed indifference to making recordings is overstated: there’s a whole load of stuff...

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