sun 20/05/2018

thrillers

DVD/Blu-ray: The Post

Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to...

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Revenge - a blood-soaked joy

Deep in an unnamed desert, a violent and psychedelic retribution is sought. The aptly named Revenge is a brutally rewarding experience, bringing classic horror and exploitation tropes kicking and screaming into the 21st century. It is the debut...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.A Fantastic Woman ★★★★★ From Chile with heat, a powerful romance...

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Beast review - mesmerising and murky in equal measure

Two fast-rising actors, Jessie Buckley and Johnny Flynn, lend genuine flair to a thriller that needs its mesmerising star turns to rise above the murk. Densely plotted, if sometimes suffocatingly so, TV director Michael Pearce's feature film debut...

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Occupied, series 2, Sky Atlantic review - political conflicts looking all too actual

Eight months have passed since the Russians invaded Norway in the first season of Jo Nesbo’s neo-Cold War thriller. Real-life events have only made Occupied seem more relevant. Like Conrad’s novel Under Western Eyes, it dramatises the clash between...

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Lifeline, Channel 4 review - Spanish sci-fi drama on speed

It is with some trepidation that the globe-trotting viewer embarks on a new drama from Spain. Last year in BBC Four stole the best part of 20 hours of some lives with its split-series transmission of the maddening I Know Who You Are. Lifeline (...

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DVD/Download: Lies We Tell

The story behind the making of first-time director Mitu Misra’s Lies We Tell is often easier to make sense of than what happens in the film: Misra realised the project with money from his double-glazing business and plenty of bull-headed persistence...

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White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisions

Ros and Ray are old hippies made good. She’s a hard-bitten, hard-working teacher in an inner-city Pennsylvania school where her pupils rob 7-Elevens on Fridays and the staff have a betting pool on how many times she gets called "white bitch". He’s a...

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The Great Wave, National Theatre review - moving epic of global loss

You could call it an absence of yellow. Until very recently British theatre has been pretty poor at representing the stories of Chinese and East Asian people, and even of British East Asians. In 2016, Andrew Lloyd Webber called British theatre “...

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Red Sparrow review - from Russia with lust

As it turns out, the slashed-to-the-hip Versace dress with which Jennifer Lawrence provoked controversy (synthetic or otherwise) on a freezing London rooftop was an accurate barometer of what to expect from Red Sparrow. It has the nostalgic...

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Rhidian Brook on The Killing of Butterfly Joe

When I was 23 I had a job selling butterflies in glass cases in America. I worked for a guy who, as well as being a butterfly salesman, had ambitions to be America’s first Pope (an ambition he ditched on account of him wanting to marry). I drove all...

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Mom and Dad review - daft and dark zombie thriller

As Mom and Dad opens, after a comically shocking preface, the Ryan family are presented as a typical all-American middle-class family – albeit one that, strangely enough, can afford a daily maid who cooks their breakfast. The family bicker good...

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