thrillers
Gemini Man review - high-concept, high-tech Zen weirdnessFriday, 11 October 2019
Will Smith’s giant hand looms out of the screen towards you, gripping his gun’s trigger with weird realism. Director Ang Lee’s lonely devotion to filming in 120 frames per second 4K 3D, already widely loathed by audiences in less developed form in... Read more... |
The Capture, BBC One, series finale review - nimble drama alive with twistsWednesday, 09 October 2019
What did we learn at the end of The Capture (BBC One)? A rice jar is a good place to hide USB sticks. It’s possible to withhold the opening credits for 11 whole minutes. A green coat works exceptionally well with light blue eyes and shoulder-length... Read more... |
The Kitchen review – more gangsters' molls taking over the reinsWednesday, 18 September 2019
Three women decide to take over their husbands’ criminal activities, proving more than a match for the men who dominate the underworld. If this outline of The Kitchen sounds familiar, it’s because it was just last year that Steve McQueen’s... Read more... |
Temple, Sky 1 review - down in the tube station at midnightSaturday, 14 September 2019
At first, the opening episode of Sky 1’s enticing new drama Temple looked like it was going to be mostly concerned with a heist gone wrong. A gang of bandits were busily stealing an enormous mountain of money when they were inadvertently locked... Read more... |
The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into townWednesday, 31 July 2019
It may help if you love the book. It was a runaway bestseller, so fans must be legion, but a suspenseful story which depends on memories being obscured by prodigious boozing, and featuring a trio of women best described as "flaky", all defining... Read more... |
Stranger Things 3, Netflix review - bigger, dumber, betterTuesday, 09 July 2019
It sometimes feels like an age between Stranger Things seasons. Blame Netflix. The binge-watching trend that it helped solidify means that most people consume all eight hours of content in a single weekend. It comes and goes in a flash. But don’t... Read more... |
Blu-ray: The Big ClockTuesday, 07 May 2019
John Farrow’s inexplicably neglected 1948 thriller The Big Clock is a difficult work to pigeonhole, combining traces of noir, screwball comedy and suspense. Farrow’s source material was a novel by poet and pulp fiction writer Kenneth Fearing, here... Read more... |
Trust Me, Series 2, BBC One review - hospital killer chillerWednesday, 17 April 2019
Great, a new drama not by the Williams brothers. Instead it’s Dan Sefton’s second iteration of his medical thriller Trust Me, last seen in 2017 starring Jody Whittaker. Since she’s off being Doctor Who, the new series has a new cast, with John... Read more... |
Under the Silver Lake review - fascinating LA noir follyThursday, 14 March 2019
Disappointment is instant, anyway. David Robert Mitchell’s second film, It Follows, was a teenage horror tragedy of perfectly sustained emotion. His third, Under the Silver Lake, seems superficial and scattershot, a callow effort at a magnum opus,... Read more... |
Border review - genre-defying Oscar-nominated Swedish filmSaturday, 09 March 2019
This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and... Read more... |
Sadie Jones: The Snakes review - lacking feelingSunday, 03 March 2019
Bea and Dan are a young married couple. They have a mortgage on their small flat in Holloway and met while out clubbing in Peckham. She’s a plain-looking, modest and hard-working psychotherapist; he’s putting in the hours as an estate agent having... Read more... |
Sam Bourne: To Kill the Truth review - taut thriller of big ideasSunday, 24 February 2019
Great libraries burning, historians murdered: someone somewhere is removing the past by obliterating the ways the world remembers. Erasing the histories of slavery and the Holocaust, of blacks and Jews, is just the beginning. The premise of Sam... Read more... |
