TV drama
The Bridge, BBC Two, series 4 review - Scandi saga is darker than everSaturday, 12 May 2018
In the 1990s, which brought us Morse, Fitz and Jane Tennison, an idea took root that all television detectives must be mavericks. They needed to be moody, dysfunctional, addictive, a bit of an unsolved riddle. These British sleuths were all... Read more... |
The Woman in White, Series Finale, BBC One review - good-looking, but flatTuesday, 08 May 2018
Much has been made of this adaptation of The Woman in White having an especial relevance for our times. Its concern with the power dynamics of gender relations was certainly hammered home right from the beginning, as Jessie Buckley uttered its... Read more... |
The Split, BBC One, review - Abi Morgan’s densely packed divorce dramaWednesday, 25 April 2018
A few years ago Abi Morgan was everywhere. For the cinema she scripted Shame, The Iron Lady, The Invisible Woman and Suffragette. On television she adapted Birdsong and created The Hour and, most recently, River. But she’s mainly been quiet for a... Read more... |
Westworld, Series 2, Sky Atlantic review - big trouble in synthetic paradiseTuesday, 24 April 2018
Some critics complain that Westworld is too complicated for its own good, and you can see their point. Even on a basic level, it’s an exploration of the nature and potential of artificial intelligence, as it depicts the consequences of super-... Read more... |
The Woman in White, BBC One review - camp VictorianaMonday, 23 April 2018
The BBC excels at a very particular kind of drama, namely one where production values overawe dramatic content. Its version of The Woman in White (BBC One) proves no exception. Our hero is Walter, a bemused sappy painter played by ex-Eastender Ben... Read more... |
True Horror, Channel 4 review - a Ronseal approach to ghost storiesFriday, 20 April 2018
As if the real world wasn’t scary enough... Ghost stories are en vogue at the moment, and after the BBC’s hit-and-miss Requiem, Channel 4 brings True Horror to the small screen – a collection of "real" ghost stories, told by witness interviews and... Read more... |
Occupied, series 2, Sky Atlantic review - political conflicts looking all too actualThursday, 19 April 2018
Eight months have passed since the Russians invaded Norway in the first season of Jo Nesbo’s neo-Cold War thriller. Real-life events have only made Occupied seem more relevant. Like Conrad’s novel Under Western Eyes, it dramatises the clash between... Read more... |
Lifeline, Channel 4 review - Spanish sci-fi drama on speedMonday, 16 April 2018
It is with some trepidation that the globe-trotting viewer embarks on a new drama from Spain. Last year in BBC Four stole the best part of 20 hours of some lives with its split-series transmission of the maddening I Know Who You Are. Lifeline (... Read more... |
Law and Order, BBC Four review - not a fair copFriday, 13 April 2018
In the late 1970s the British establishment sustained a bloody nose. Roland Huntford published his debunking of Captain Scott and Anthony Blunt was outed as the Fourth Man, while the Old Etonian Liberal party leader Jeremy Thorpe was tried for... Read more... |
Deep State, Fox review - secrets, lies and spiesFriday, 06 April 2018
Fox is very keen to stress that Deep State is the first original production by its Europe & Africa division, the most obvious sign of which is that none of it was shot in New York or LA. But it has clearly been designed as a sleek international... Read more... |
Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclearMonday, 02 April 2018
Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For... Read more... |
Come Home, BBC One review - a drama of family disintegration, divided loyaltiesWednesday, 28 March 2018
A woman walks out on her husband and their three kids – two teens, one five-year-old - after 19 years of marriage. She doesn’t want custody. What could be so wrong with the man that she’s driven to such drastic action? Eleven months later, Greg (... Read more... |
