TV drama
Adam Sweeting
The Marvel Cinematic Universe has been saturating the globe with its multi-format superheroes, leaving its DC rival looking clumsy and disorganised by comparison. However, DC’s “Arrowverse” – a roster of TV shows including Arrow, The Flash and Supergirl – is part of its fight-back effort, and now joining its ranks is this new take on the Batwoman character (E4).Kate Kane and her Batwoman alter ego first appeared in comic form in 1956, but this latest reincarnation leaps into the present with its androgynous-looking lesbian heroine, played by Ruby Rose (familiar from Netflix’s Orange is the Read more ...
Adam Sweeting
Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3. At the start of this new fifth series (BBC One), Georgie is still haunted by flashbacks to the deceased SAS hero, even though she has settled into a medical instructor’s job, conducting noisy training exercises on Salisbury Plain amid fake bodies and billowing explosions.However, despite the chaotic diversion provided by the Manchester wedding of her sister Marie ( Read more ...
Adam Sweeting
Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. It’s not going to rock the planet off its axis, but there’s enough twisty and salacious intrigue to keep you coming back.There’s a deluxe, feature-film-like quality about the production, and its pedigree cast doesn’t hurt. Julie Graham plays Rosalie Douglas, a 50-ish former care-worker who now runs three of her own care homes. Her husband Luke is played by Neil Morrissey, who seems to have cornered the market on weak, feckless husbands and carries on the tradition here. Read more ...
Adam Sweeting
The prolific Lord Fellowes returns with this six-part adaptation of his own novel (for ITV), a niftily-wrought yarn (originally issued in online instalments) about the old aristocracy and the rise of new money in the early 19th Century. Some are inevitably calling it the “new Downton”, but it really isn’t.Fellowes, the assiduous social historian, has planted his story firmly in factual soil. It opens at a pivotal moment in the Napoleonic Wars, when the Duchess of Richmond held her celebrated ball at her temporary home in Brussels on 15 June, 1815. This was days before the battle of Waterloo, Read more ...
Veronica Lee
ITV's drama department is in overdrive at the moment, with a seemingly endless release of series with high production values and stellar casts, and the latest is The Trouble With Maggie Cole. It's a six-parter based on an idea by Dawn French (who also stars) and is written by Mark Brotherhood.It's set in Thurlbury, a fictional coastal community in the West Country, where everybody knows everybody else. Self-appointed “local historian” Maggie Cole (French), who has a museum cum gift shop at the town's ancient keep, minds everyone's business but her own, and is flattered when a local radio Read more ...
Adam Sweeting
The first series of Liar, one of many thrillers from the fertile keyboards of Jack and Harry Williams, was on ITV back in 2017, so you may have forgotten the somewhat labyrinthine details. In a nutshell, smarmy surgeon and serial rapist Andrew Earlham (Ioan Gruffudd) had been unmasked by the dogged (and sometimes illegal) methods of one of his 19 victims, schoolteacher Laura Nielson (Joanne Froggatt). However, before the police could arrest him, his dead body was found in the marshes on the Kent coast, with its throat cut. End of series one.An early revelation in this new season was that DI Read more ...
Adam Sweeting
“Everybody lies," says property developer Tony to his PA and secret lover Natalie. “Even your mum probably.” And of course he’s not wrong.Sarah Williams’s drama, showing over four consecutive nights on ITV, is an easy-to-digest and deftly-wrought piece of work, using an unspecified accident which has left somebody in hospital – Williams has bent over backwards to avoid revealing the victim’s identity until the final episode – to prise open the secrets and lies of Vivien (Francesca Annis) and her family. Vivien, who's turning 70, has been living on the Sussex coast for the past 40 years, Read more ...
Adam Sweeting
Apparently network executives initially reacted with alarm to the premise of Hunters, Amazon’s new big-ticket series chiefly (though by no means entirely) notable for hosting Al Pacino’s first full-scale television role. Its story of Jewish Nazi-hunters tracking down Nazis living in the USA in the 1970s is told with cartoon-ish brio, treating borderline-taboo subject matter with throwaway insouciance. Comparisons with Quentin Tarantino’s buccaneering approach to good taste and historical reality have already been made, and they’re not too wide of the mark.Creator David Weil throws down the Read more ...
Adam Sweeting
This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more. The action has been transposed from New Jersey to Manchester – the one in England, not Massachusetts – and a strong and varied British cast does the heavy lifting, but there’s something in the mix that never quite feels right. Maybe it’s that things that seem par for the course in America’s moronic inferno can look hilarious in a homely Read more ...
Jill Chuah Masters
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high school educations. The result was a show that was always bingeable, sometimes educative, and oozing with sex-positive delights. Not everyone liked it. But those of us who did — teenagers all over again — could not stop talking about it. These are high expectations for a show going into its sophomore season. But thank God and thank Laurie Nunn: this is a Read more ...
Adam Sweeting
The return of screenwriter Abi Morgan’s series about a largely-female London law firm is no doubt in tune with our gender and equality-conscious times, but that doesn’t mean it’s great television. Its legal storylines are counterpointed against episodes of sentimentality and self-congratulation, as if it wanted to be The Good Wife but ended up as Doctors. It’s the kind of show where a character might notice an old photo on the mantelpiece and drift off in a sentimental reverie, encouraged by insipid singer-songwriter balladry.The best news is Nicola Walker, who clothes herself in the Read more ...
Adam Sweeting
You could sometimes begin to believe that the notion of original TV drama is dying out, replaced by an interminable stream of adaptations and remakes. Did somebody mention Dracula? Screenwriter Sarah Phelps is currently the BBC’s go-to specialist for makeovers of Agatha Christie, having adapted The Witness for the Prosecution, And Then There Were None, The ABC Murders, and Ordeal by Innocence.She’s unapologetic about the extensive changes she wreaks upon Christie’s source material (in Ordeal by Innocence, she notoriously changed the identity of the killer). “Have I changed a load of stuff? Read more ...