TV drama
Owen Richards
Despite horror’s omnipresence in cinema, British television has been somewhat deprived of jump scares. Every couple of years there’s an anomaly, such as Sky’s The Enfield Haunting or ITV’s Marchlands, but nothing has caught the public’s imagination – not since the innovative but controversial one-off Ghostwatch. Enter the BBC and Netflix with their new six-part series Requiem, promising to be the most terrifying show ever broadcast on the Beeb.Either the worst is yet to come, or the terror bar has been set very low; episode one brought little innovation and even less tension. There were the Read more ...
Adam Sweeting
No doubt McMafia has its strengths, but it’s like a mug of Horlicks compared to the grappa-with-aviation-fuel blast of Gomorrah (Sky Atlantic). The Naples-set organised crime drama takes no prisoners. It gives no quarter, and expects none.As a latecomer to Gomorrah, I needed to do a bit of homework before I began to get the hang of what’s going in series three. However, if you’re au fait with the first two seasons, you’ll know that the piece hinges on the tumultuous history of the Savastano dynasty, a powerful Camorra family accustomed to lording it over the unlovely streets of Naples’s Read more ...
Jasper Rees
Talk about laughter in the dark. With every successive episode, the fourth series of Inside No 9 (BBC Two) has perceptibly turned a shade blacker. "Zanzibar" was a festive farce mashing up half the plots of Shakespeare from Macbeth to A Comedy of Errors. "Bernie Clifton’s Dressing Room" was a mournful reunion with a twist featuring a failed comedy double act. "Once Removed", told in reverse like Pinter’s Betrayal, featured a murder hit gone hilariously wrong. The fourth episode, "To Have and to Hold", featured no clever-clever tricks and actorly flourishes. Instead it worked its way Read more ...
Jasper Rees
Sara Lund and Saga Norén have a lot to answer for. Their adventures in the murk of murder as they grapple with their own dysfunctional psychology entranced audiences who don’t speak a scrap of Danish or Swedish. The search has since gone on for other gripping instances of Nordic noir. How long can it be before we accept that The Killing and The Bridge both had ingredients that aren’t easily reassembled?The "Walter Presents" strand has coughed up all sorts of potential replacements, while BBC Four continues to pan for gold on Saturday nights. There’s already been one Swedish drama premiering Read more ...
Adam Sweeting
What did the Romans do for us? On the evidence of new drama Britannia, they pillaged, murdered and tortured, but also found themselves mesmerised by the psychedelic Druid magic that hovered over our ancient land like fairy dust.Creator Jez Butterworth dug into a resonant, folklorish notion of British history and identity in Jerusalem, and took something of the same idea across the Irish sea for The Ferryman. Here, in cahoots with his writer-brother Tom (who co-wrote Sky Atlantic's Tin Star), he lets himself get a bit more fanciful in his treatment of first-century history. The coast upon Read more ...
Owen Richards
The new import is the latest procedural from Scandinavia, this time focusing on Stockholm’s biker gangs. The first episode aired Tuesday night, with the rest of the series available on All4 now. In the age of the boxset binge, this availability is usually a gift - but Before We Die’s forgettable first episode might struggle to convince viewers to log on and continue.We first met killjoy cop Hanna Svensson on a drugs bust – more specifically, arresting her own son Christian for dealing at a house party. After a rather low-key confrontation, he was taken away and she was left crying in the car Read more ...
Jasper Rees
“I’m black – I need to find out how black people live.” So reasoned Kiri, sitting in the back seat of the car driven by her social services case worker. She was on the way from her prospective adopters, a white middle-class couple who already had a teenage son, to pay a first unsupervised visit to her Nigerian-born grandparents. Kiri (Felicia Mukasa, pictured below) was mature beyond her years, open-minded and well-spoken, while her case worker Miriam (Sarah Lancashire) brimmed with mumsy good cheer and sensible advice. The mood was Pollyannishly optimistic – the only dark cloud was the Read more ...
Adam Sweeting
Fans of Luther will be familiar with writer Neil Cross’s fondness for hideous violence, shocking plot-twists and macabre humour, as well as characterful London locations, and happily they’re all present and correct in this new sci-fi thriller. Cross’s madly escalating timetable of terror goes like this: take two mismatched detectives, set them off on a murder investigation, then start the clock ticking on the annihilation of the entire planet.The shockathon commenced right from the opening sequence. For an hors d’oeuvre, we saw the spook-ish Grace Morrigan (Nikki Amuka-Bird, another Luther Read more ...
Jasper Rees
You know where you are with Kay Mellor. Somewhere in the north, among a group of people brought together by pregnancy or prison, weight or, as in the case of the recent Love, Lies and Records, work. With Girlfriends (ITV), the common denominator is encroaching age. The drama's three protagonists are all knocking on a bit and wondering if life can possibly be so resoundingly over. “I just want to feel like I used to feel,” said lollilop lady Gail. “Like I’m alive.”Anyone on the cusp of giving up the ghost will certainly have felt more alive after being introduced to the trio of women of a Read more ...
theartsdesk
Young people will laugh incredulously when you tell them that once upon a time, there was only one television channel in Britain. Now we've lost count, and as even the Queen pointed out in her Christmas broadcast, many of her subjects would now be watching her (no doubt hoping for a walk-on by Meghan Markle) on phones or iPads. And comparing Her Maj with Claire Foy in The Crown, the second series of which is every bit as good as the first.In our omni-channel, multiplatform present, it has become almost impossible to keep track of everything that's happening. Consuming the output of Netflix Read more ...
Adam Sweeting
We’ve seen some “interesting” series filling BBC Four’s celebrated Saturday evening slot recently, which if nothing else have prompted plenty of below-the-line discussion. Happily, we can now turn our backs on all that and hail the return of the ace Paris-based French cop show Spiral.Rather than trying to invent the most elaborately grotesque murders or equip its detectives with fashionable psychological conditions, Spiral gets all the fundamentals right. It keeps its characters real (which means far from perfect), and its criminal investigations are distinctly plausible. Its depiction of the Read more ...
Jasper Rees
To misquote Marx (Karl, not Groucho), comedy repeats itself, the first time as farce, the second time as a tragedy. The early days of broadcasting bred comedians whose work lives on in the nation’s marrow. But being Frankie Howerd or Kenneth Williams or the Steptoe actors was no laughing matter. Long after they died, the BBC started dramatising the story of the stars’ miserable lives in low-budget micro-sagas shot in dingy rooms.The best of them was Eric & Ernie, written by Peter Bowker from an idea by Victoria Wood. It told the origin story of Morecambe and Wise, who were brought Read more ...