Ukraine
Maria Reva: Good Citizens Need Not Fear review - tales of gloomy humour and absurdist charmTuesday, 19 May 2020
Maria Reva’s humorously gloomy debut collection, centring on the inhabitants of a block of stuffy apartments in Soviet (and post-Soviet) Ukraine, starts, predictably enough, with Lenin. Instead of an austere symbol of ideology, he’s a statue who “... Read more... |
Filmmaker Agnieszka Holland: 'Without journalism, democracy will not survive'Tuesday, 04 February 2020
Agnieszka Holland is one of Europe's leading filmmakers. Growing up in Poland under Soviet rule, her films have often tackled the continent's complex history, including the Academy Award-nominated Europa, Europa, In Darkness and Angry Harvest. In... Read more... |
10th Odessa International Film Festival review - exquisite gay love stories and visionary new musicSaturday, 27 July 2019
Odessa, the so-called "pearl of the Black Sea", is a Ukrainian city full of lovely 19th-century Italianate architecture and sandy beaches, with a reputation, even in Soviet times, for a certain bohemian sense of freedom. It has also, for the past... Read more... |
Chernobyl, Episode 4, Sky Atlantic review - life in the death zoneTuesday, 28 May 2019
Chernobyl (Sky Atlantic) is the most unmissable show on TV. Perhaps it’s because the Soviet nuclear catastrophe in 1986 was so blood-freezingly horrific that the filmmakers didn’t need to fictionalise or exaggerate.This penultimate episode was bad... Read more... |
Chernobyl, Sky Atlantic review - a glimpse of ArmageddonWednesday, 08 May 2019
“I take it the safety test was a failure,” remarked Viktor Bryukhanov, director of Ukraine’s Chernobyl nuclear power station. You could say that again. The catastrophic explosions at the Vladimir I Lenin plant on 26 April 1986, caused by a safety... Read more... |
Donbass review - war stories from the Ukrainian frontSaturday, 27 April 2019
The latest from the prolific Sergei Loznitsa, Donbass is a bad-dream journey into the conflict that’s been waging in Eastern Ukraine since 2014, barely noticed beyond its immediate region. The titular break-away region, also known as “Novorossiya” (... Read more... |
Counting Sheep, The Vaults review - visceral recreation of an uprisingThursday, 31 January 2019
Is there a connection between revolution and theatre? The answer has to be yes – a visceral one. The supremacy of symbols, the collective strength of a crowd, a sense that some kind of pressure valve is being released to challenge the dominant... Read more... |
theartsdesk at the Ravenna Festival - Italians, Ukrainians and an American promote peaceSaturday, 21 July 2018
Everything is political in the world's current turbulent freefall. The aim of Riccardo Muti's "Roads of Friendship" series, taking the young players of his Luigi Cherubini Youth Orchestra to cities from Sarajevo in 1997 to Moscow in 2000 and Tehran... Read more... |
Bruno Maçães: The Dawn of Eurasia review - middle of nowhereSunday, 21 January 2018
Part travelogue and part broad analysis of the current and future challenges facing the EU, the premise of Bruno Maçães’s new book The Dawn of Eurasia is to “use travel to provide an injection of reality of political, economic and historical... Read more... |
'I come from there': how the Royal Court brought home plays from Ukraine, Chile and SyriaWednesday, 11 October 2017
The autumn season of plays at the Royal Court leads with international work. B by Guillermo Calderón (from Chile), Bad Roads by Natal'ya Vorozhbit (from Ukraine) and Goats by Liwaa Yazji (from Syria) have a long history with our international... Read more... |
Anne Applebaum: Red Famine review - hope around a heart of darknessSunday, 17 September 2017
Hands both sensitive and surgical are needed to guide a reader into the heart of the 20th century’s second biggest genocide and out again. Anne Applebaum is the right person for a queasy and difficult task, never turning away from the horrifying... Read more... |
DVD: DancerTuesday, 25 April 2017
For decades, but especially since the turn of the millennium, the arts have fretted over how to appeal to a younger audience. For ballet, this has meant playing down the notion of “men in tights” in favour of “dancers train harder than footballers... Read more... |
