violin
David Nice
“Sounds a bit depressing,” said several friends when I urged them to attend the theatrical incarnation of The Image of Melancholy, inspirational violinist Bjarte Eike’s award-winning CD with his stunning Norwegian-based group Barokksolistene. Creative melancholy, though, is not the same as stuck depression, and the sequence on the disc was well-balanced with songs and dances as well as superbly engineered sound. The instrumental sheen created equal magic in the wood-resonant surrounds of the Sam Wanamaker Playhouse last night.It was admirable of Eike to vary the strain and not repeat the CD Read more ...
David Nice
Queen Margrethe II of Denmark attended Nielsen’s 150th birthday concert earlier this year in Copenhagen’s glorious new concert hall. Her grandparents were there at the premiere of Nielsen’s blithest work, his cantata Springtime in Funen on 1921. Our own dear Queen has never shown such interest in music, but all the same last night's Prom celebrated the day on which she became our country’s longest reigning monarch with Gordon Jacob’s fanfare-laden arrangement of the National Anthem. Then it was off with a gust of fresh air into national celebrations of a far quirkier nature by the greatest of Read more ...
graham.rickson
Mozart, arr. Makato Ozone: Piano Concerto No.9 Makato Ozone (piano), Scottish National Jazz Orchestra, dir. Tommy Smith (Spartacus Records)This is something pretty special. Jazzed-up Bach usually works, as Jacques Loussier has shown, and I've enjoyed recent arrangements of Stravinsky and Messiaen. But Mozart? Here is Japanese pianist Makoto Ozone's take on the Piano Concerto No.9, the Jeunehomme, accompanied by the Scottish National Jazz Orchestra. It's stunning, the most potent musical pick-me-up I've encountered in months. The composer would surely have approved. As Ozone says, “There's a Read more ...
David Nice
Praise be to Carl Nielsen. Praise always, of course, to one of the greatest symphonists, and happy 150th birthday (again), but gratitude on this occasion is due to a programme mostly lining up Nielsen works rare and familiar, for getting me to the Albert Hall to witness a surely unsurpassable performance of the Brahms Violin Concerto. The sound quality, the near-perfect intonation with which Nikolay Znaider wields his Kreisler Guarneri “Del Gesù” is only the half of it; hearing such close work with an orchestra and conductor equally alert to every small detail without ever losing sight of Read more ...
David Nice
A second night of Sibelius symphonies at the Proms, packed to the rafters just like its predecessor. Exit Thomas Dausgaard, the tuba needed for the first two symphonies but not for the Third or – surprising given its pervasive darkness – the Fourth, and the air that had billowed around supremely supple performances. Enter Ilan Volkov to bring too much dark earth and inorganic point-making at first, though the BBC Scottish Symphony Orchestra, its strings sounding tougher if less inward from a different point in the hall, was still on world-class form.The programme was identical to the second Read more ...
David Nice
A packed Albert Hall told an instructive story: programme Holst’s The Planets at the Proms and you can dare to do anything in the first half. Besides, though it will be a red letter day when we don’t have to put “women” in front of “conductors”, the Marin Alsop Last Night effect may have kindled interest in Susanna Mälkki, top of a still too-small list from the two concerts I’ve heard her give with the BBC Symphony Orchestra.Mälkki seems just as authoritative in mainstream romantic and 20th century scores as she is in thornier so-called contemporary music (she spent seven years with Ensemble Read more ...
David Nice
Violinists either fathom the elusive heart and soul of Elgar’s music or miss the mark completely. Canadian James Ehnes, one of the most cultured soloists on the scene today, is the only one I’ve heard since Nigel Kennedy to make the Violin Concerto work in concert, in an equally rare total partnership with Elgarian supreme Andrew Davis and the Philharmonia. Last night he found the same emotional core in the Violin Sonata at the end of a colossal programme with a no less extraordinary but much less widely known companion, the American pianist Andrew Armstrong.In their smart suits and ties, Read more ...
Sebastian Scotney
There's a whole fairytale backstory to be told here. The residents of Saffron Walden and the surrounding area still can't quite believe their good fortune. The North Essex town and its state secondary school have been gifted a new 730-seat concert hall with a fine acoustic by a philanthropist with twin passions for state education and classical music.The hall's run of good fortune has continued, right up to this concert, arguably its biggest coup to date. The hall's manager Angela Dixon had managed to book Nicola Benedetti for just one performance, and when all the tickets for the violinist's Read more ...
David Nice
Bass lines were Edward Seckerson’s starting point yesterday in welcoming the Berlin Philharmonic Sibelius cycle to London, and none strikes more terror from the depths than the subterranean growl that launches the most selectively-scored symphony of the 20th Century, the Fourth. Awe-inspiring is how it sounds on Sir Simon Rattle’s 1986 City of Birmingham Symphony Orchestra recording, with a little help perhaps from the engineer, and those eight Berlin Philharmonic double-basses last night were not going to stint on its force either.Yet the beginning of the concert reminded us that cellos and Read more ...
David Nice
Offshoots of the Venezuelan El Sistema’s worldwide dissemination as well as other youth and music projects continued to bloom and grow in 2014. The morning after what was the orchestral concert of the year for many who caught it, Alexandra Coghlan (see below) and myself included, players of the European Union Youth Orchestra reconvened in the Albert Hall to workshop three classics with musicians from nine British youth orchestras and London schools.How proud the EUYO's founding music director Claudio Abbado would have been of this ongoing good work (he died, as if we could forget, this year Read more ...
David Nice
In one way, it makes sense to give your London comeback concert in the venue where you made your European debut 44 years ago. Yet the Royal Festival Hall is a mighty big place for a violin-and-piano recital. Kyung Wha Chung had no problem nearly filling it last night with an audience including whole Korean families, but might have wished she hadn’t in the ailment-ridden dead of winter; her look could have killed a coughing child ("go and get a glass of water" is what I think I heard her say, from my very distant seat). There were swathes of panache in an emotionally demanding programme, but Read more ...
David Nice
As I sat, engaged and occasionally charmed but not always as impressed as I’d been told I would be, through violinist-animateur Richard Tognetti’s lightish seven-course taster menu of string music with the Orchestra of the Age of Enlightenment, it was worth bearing two things in mind. One was that this happened to be merely the official zenith of a truly enlightened three-part project; on Monday, parts of the programme had been played first to educate all ages and later to grab a young audience in more relaxed mode as part of the OAE’s pioneering Night Shift series. The other qualification Read more ...