Visual arts
Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundariesThursday, 10 October 2024
Brazilian artist Lygia Clark is best known for taking her abstract sculptures off the pedestal and inviting people to interact with them. Dozens of constructions named Bichos (Beasts or Critters) (pictured below right) are hinged... Read more... |
Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extendedWednesday, 09 October 2024
Like an angry teenager rejecting everything his parents stand for, American artist Mike Kelley embraced everything most despised by the art world – from popular culture to crafts, and occultism to catholicism – to create what he ironically called “... Read more... |
Monet and London, Courtauld Gallery review - utterly sublime smogFriday, 04 October 2024
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond. Setting up his easel on a balcony, he began a series of paintings of the river and the buildings on... Read more... |
Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decorWednesday, 25 September 2024
Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four... Read more... |
Van Gogh: Poets & Lovers, National Gallery review - passions translated into paintSaturday, 14 September 2024
Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the National Gallery has devoted to this much loved artist. Focusing mainly on paintings and drawings made in the two years he... Read more... |
Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rageTuesday, 30 July 2024
Peter Kennard: Archive of Dissent at the Whitechapel Gallery includes many of the artists’s most iconic political photomontages. Beginning in the 1970s, Kennard created images that by speaking truth to power, gave protest movements like CND (... Read more... |
Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with historyMonday, 29 July 2024
It’s been a long time since the Whitechapel Gallery has presented three seriously good exhibitions at the same time. Already reviewed are Gavin Jantjes’ paintings on show in the main gallery. He is now joined, in gallery 2, by Dominique White,... Read more... |
Bill Viola (1951-2024) - a personal tributeWednesday, 17 July 2024
The artist Bill Viola died, after a long illness, early in the morning of Friday 12 July. I had the privilege of getting to know him while making a documentary about his life and work in 2001-2003. He quickly became a friend, as did his wife Kira... Read more... |
In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after allWednesday, 03 July 2024
Ukraine’s history is complex and often bitter. The territory has been endlessly fought over, divided, annexed and occupied. From 1917-20 it enjoyed a brief period of independence before being swallowed up once more by the Soviet Union after a... Read more... |
Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tearsFriday, 28 June 2024
Belgian artist, Francis Alÿs has filled the Barbican Art Gallery with films of children playing games the world over. Many of them are familiar; they’re playing five stones in Nepal (pictured below left), conkers in London, stone skimming in Morocco... Read more... |
Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstancesWednesday, 19 June 2024
Born in Cape Town in 1948, Gavin Jantjes grew up under apartheid. He openly criticised the regime in his work and, forced into exile, was granted political asylum in Germany in 1973.Nearly 10 years later he moved to England and his Whitechapel... Read more... |
Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joyThursday, 06 June 2024
Two shows at Jupiter Artland, one in a barn, one in a ballroom, showcase two Scottish artists, whose work shares a sense of lightness and joy. The sun was out, there was happiness all round. Laura Aldridge had painted the walls of her barn space a... Read more... |
