Wigmore Hall
Tetzlaff, Wigmore HallThursday, 20 September 2012
When you hear Christian Tetzlaff play you hear Brahms, or Beethoven or, in this case, Bach. What you don’t hear a lot of is Tetzlaff himself. I mean that in the best possible way – so willing is the violinist to submerge himself, to set aside ego... Read more... |
Joyce DiDonato, Wigmore HallThursday, 05 July 2012
By the time she went to college to study to become a singing teacher, Joyce DiDonato had been to exactly two different American states: Kansas and Colorado. New York and San Francisco were as yet unvisited, Europe and Asia as yet undreamed of. It’s... Read more... |
Kathleen Ferrier competition prizewinners announcedSaturday, 28 April 2012The 57th prestigious Kathleen Ferrier vocal competition, held in memory of the great British contralto, broke new ground at Wigmore Hall on Friday by awarding two prizes to the same singer. Soprano Natalya Romaniw started off by winning the... Read more... |
Maxim Vengerov, Itamar Golan, Wigmore HallFriday, 06 April 2012
Musicians can go one of two ways after a period of prolonged professional absence. The hiatus can either set them free (Horowitz) or screw them up (Pogorelich). In the case of Maxim Vengerov, we already knew that the latter hadn't happened. A... Read more... |
Kavakos, Ax, Wigmore HallThursday, 02 February 2012
The roar with which Leonidas Kavakos and Emanuel Ax dispatched Beethoven’s mighty Op. 30 C minor Violin Sonata – flinging off the writhing semiquaver coils of the Finale with desperate vigour – was enough to remind anyone in the Wigmore Hall last... Read more... |
Dido and Aeneas/ Actéon, Wigmore HallFriday, 13 January 2012
The Wigmore Hall staged its own Entente Cordiale last night with an operatic double bill bridging both sides of the Channel. Christian Curnyn and the Early Opera Company looked beyond predictable partners for Purcell’s inconveniently short Dido and... Read more... |
The Bostridge Project: Ancient and Modern, Wigmore HallFriday, 23 December 2011
The poster boy for a generation of thinking, reading, researching soloists, tenor Ian Bostridge is a regular recitalist. But the programmes he has curated for the current Bostridge Project at the Wigmore Hall have given him the opportunity to show... Read more... |
Anne Schwanewilms, Charles Spencer, Wigmore HallFriday, 09 December 2011
Now that Margaret Price is no more and Kiri's well past her heyday, whose is the most limpid soprano of them all? "The beautiful voice" was a label slapped by PR on Renée Fleming, but that fitfully engaging diva is all curdled artifice alongside... Read more... |
Khatia Buniatishvili, Wigmore Hall/ Pierre-Laurent Aimard, Queen Elizabeth HallThursday, 08 December 2011
Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts. In... Read more... |
Louis Lortie, Wigmore HallMonday, 05 December 2011
It was Chopin time when I last heard Louis Lortie, and a typical London clash of scheduling allowed me to catch his effervescent Op 10 Études before pedalling like crazy north of the river for the second half of Elisabeth Leonskaja’s even bigger all... Read more... |
Pacifica Quartet, Wigmore HallThursday, 13 October 2011
How good it feels, after several decades of Shostakovich quartet series, to be able to say not just “what a tragic life” but also “what ingenious treatment of great ideas, what a range of universal human emotions”. And even, walking on air away from... Read more... |
Schubert Recital 2, Christian Gerhaher, Gerold Huber, Wigmore HallFriday, 23 September 2011
Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the... Read more... |
