tue 22/04/2025

Wigmore Hall

Boris Giltburg, Wigmore Hall review - epic heaven and hell

With rapid, sleight-of-hand flicks between calm assurance and demonic agitation, Boris Giltburg turned in a coherent and epic recital that won’t be surpassed in 2024. Most pianists would quake simply at the thought of performing the four Chopin...

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Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes

To understand the ambition of baritone James Newby, it helps to look up his video of Handel’s “Cara Pianta” from Apollo e Dafne. It would be remarkable by any standards for the fact that his head becomes gradually submerged by water while he’s...

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Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical Christmas

The Wigmore Hall, the high church of Beethoven and Brahms, hosted something less elevated last night: a programme called “Hey for Christmas” presented by vocal ensemble Siglo de Oro and period instrument band Spinacino. The conceit was of recreating...

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Jansen, Ridout, Blendulf, Kozhukhin, Wigmore Hall review - Brahms in excelsis

Reviewing, they say, never gets easier. How can one possibly describe chamber music playing as good, as stupendously memorable, as last night’s all-Brahms programme from Dutch violinist Janine Jansen, English violist Timothy Ridout, Swedish cellist...

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London Handel Players, Butterfield, Wigmore Hall review - Bach with bite for Christmas

We think of the Wigmore Hall as a venue for intimate revelations, but in the right hands it can feel like a stadium. Last night’s all-Bach programme of festive music from the London Handel Players managed to embrace both moods.On a bill that began...

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Mariam Batsashvili, Wigmore Hall review - spectacular pianism, with a sense of fun

For a small nation, with a population not quite comparable to Scotland’s, Georgia has for long packed a mighty musical punch. Any visitor will know the soul-wrenching power of its choral polyphony, but a post-Soviet generation of classical soloists...

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Paul Lewis, Wigmore Hall review - Schubert sonatas revisited

A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and across four continents, every work Schubert wrote for piano between 1822, the year he was diagnosed with...

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Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - chamber music supergroup in perfect accord

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made a lot of sense to programme it alongside the first piano quartets of those other composers. A “supergroup” of...

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Louise Alder & Friends, Wigmore Hall review - magic carpet rides with soprano, strings and woodwind

Sometimes all the stars align in musical performance. There’s no soprano more alive to the expression of musical joy and rapture than Louise Alder, no composer more levitational in his strange later adventures than Fauré, no instrumentalists strings...

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Schiff, Höbarth, Coin, Wigmore Hall review - Schubert minus transcendence

A full Wigmore Hall always feels special. Formerly we saw a board with the words “HOUSE FULL” on it, in large, bright red capital letters at the entrance. If we had tickets back then, we knew how lucky we were. These days, the 552-seater hall gets...

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Brahms Piano Sonatas, Elisabeth Leonskaja, Wigmore Hall review - when giants meet

To master even one of Brahms’s three early sonatas is a colossal task for any pianist. To play them all with towering authority in a single concert takes a phenomenon. Elisabeth Leonskaja seems just that more than ever in her late 70s; not only is...

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Denk, Danish String Quartet, Wigmore Hall review - metaphysical strings, the piano as chameleon

Few pianists manage stylistic perfection in both Mozart and Ligeti, but to Jeremy Denk it seems to come naturally. We should have heard the riveting contrasts in quick first-half succession, but European air traffic control had wasted much of the...

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