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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Friday, 11 July 2025 Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Saturday, 05 July 2025 Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Friday, 04 July 2025 Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Monday, 23 June 2025 Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Wednesday, 18 June 2025 Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Tuesday, 17 June 2025 Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Saturday, 14 June 2025 Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Thursday, 12 June 2025 Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Saturday, 07 June 2025 Read more...

Bogancloch review - every frame a work of art

Saturday, 31 May 2025 Read more...

The Last Musician of Auschwitz review - a haunting testament

Tuesday, 13 May 2025 Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Friday, 02 May 2025 Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Friday, 04 April 2025 Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Monday, 03 March 2025 Read more...

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

Wednesday, 26 February 2025 Read more...

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Saturday, 22 February 2025 Read more...

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'We are bowled over!' Thank you for your messages... ...
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If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and...

BBC Proms: The Marriage of Figaro, Glyndebourne Festival rev...

One door closes, and another one opens. A lot. It’s extraordinary what value those two simple additions to the Royal Albert Hall stage lent to...

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but n...

$8.2B. That’s what can happen when you re-imagine ...

King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Elizabeth Alker: Everything We Do is Music review - Prokofie...

Composers and musicians explore acoustic...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...