Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Richard II, Bridge Theatre review - handsomely mounted, emot...
Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...
Backstroke, Donmar Warehouse review - a complex journey thro...
The theatre director Anna Mackmin has...
Donald Rodney: Visceral Canker, Whitechapel Gallery review -...
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the...
Album: Heather Nova - Breath and Air
With her 13th studio album, Heather Nova delivers what you might expect from one of the 90s' most distinctive alternative voices – though longtime...
Bach's Mass in B minor, The English Concert, Bezuidenho...
If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book...
Light of Passage, Royal Ballet review - Crystal Pite’s cosmi...
“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in...
Otherland, Almeida Theatre review - a vivid, beautifully wri...
“Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a conversation where two former lovers...
I'm Still Here review - powerful tale of repression and...
Just like Britain’s ‘stiff upper lip’, that indominable spirit in the face of adversity,...