Sir Trevor Nunn
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Was it a risk to attend a third Irish Baroque Orchestra Matthew Passion in as many years, given that previous indelible interpretations had…
Brahms: Trio Op. 114, Robert & Clara Schumann: Romances. Joachim: Hebrew Melodies Tabea Zimmermann (viola), Javier Perianes (piano)…
Body & Soul, English National Ballet, Sadler's Wells review - a surefire hit and an absolute plonker
If it were true, as Timothée Chalamet has said, that ballet as an art form has become a museum, the job of running a national ballet…
Tom Misch’s Full Circle is an easy, pleasant listen, but it tends to drift by without leaving much of a lasting impression. He leans into a…
Years have passed since the early days of Gorillaz, when the real musicians behind the cartoon band remained hidden from view onstage. Yet…
Tamerlano, tyrannical Emperor of the Tartars, is a burger-munching boor with a golf-habit, a bulbous belly and a crashing disdain for other…
The premise of a four-piece rock band hailing from Bedford sounds very unassuming when compared to the reality of the eclectic rockers, Don…
Playwright David Hare is on a West End roll. Not only is his new play, Grace Pervades, about super thespians Henry Irving and Ellen Terry,…
In 1988, in The Manual: How to Have a Number 1 The Easy Way, Bill Drummond wrote: “We await the day with relish that somebody dares to make…