Hugh Barnes
Articles By Hugh Barnes
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: The Yardbirds - The Ultimate Live at...
“The last we had was a bit of a flop. I own up about it, it was quite bad.” Speaking to the BBC’s Brian Matthew on 4 April 1967, Yardbirds’...
Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s...
It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring...
Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand rev...
Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came...
Le Vent du Nord, Cecil Sharp House review - five extraordina...
Among the many things that make the folk community such a warm and welcoming “family” is that you know which side you’re all on, to paraphrase the...
The Tales of Hoffmann, Royal Opera review - three-headed mon...
Having all but sunk one seemingly unassailable opéra comique, Bizet’s Carmen, director Damiano Michieletto...
The Day of the Jackal, Sky Atlantic review - Frederick Forsy...
Fred Zinnemann’s 1973 film The Day of the Jackal was successful thanks to its lean, almost documentary-like treatment of its story of a...
Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review...
Pavel Kolesnikov returned to the Hallé last night with a bobby-dazzler of a concerto. He’s a laid-back dude in appearance, with no tie, flapping...
L’Addition, BAC review - top billing for physical comedy duo
Can experimental theatre survive the decades? This year marks the 40th anniversary of the Forced Entertainment theatre company, whose mission is...