We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

It’s not often I feel guilty about making an assessment of an set almost instantly after making it. The support act for the first full-band…

François Ozon has typically filtered his version of Albert Camus's existential novella The Stranger through his cool, ironic sensibility,…

Stories about slavery tend to be simplistic: white perpetrators are bad, black victims good. One of the more striking features of Winsome…

David Mackenzie’s second superbly marshalled thriller in a year makes an unexploded bomb the backdrop for a London heist and its chaotic…

Sarah Millican is at an age where she is pausing to reflect and in Late Bloomer, her most recent show – shown as a special on Channel 4 and…

Johnny Franck’s energy is palpable with the latest Bilmuri instalment, his signature comedic country metalcore style is as honed as ever…

The opening track is Hoyt Axton’s “Evangelina.” After first appearing on the 1976 album Fearless it was re-recorded and issued as a flop UK…

Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…

Just a year after the first series, Your Friends & Neighbours returns to titillate and amuse us with the escapades of the moneyed but…