wed 26/03/2025

Nigel Williamson

Articles By Nigel Williamson

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

La Cocina review - New York restaurant drama lingers too lon...

La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...

Album: Alison Krauss & Union Station - Arcadia

It’s been 14 years since Alison Krauss and Union Station released an album – 2011’s Paper Aeroplane. The world’s shed a few skins since...

Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester revie...

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of...

Blu-ray: Lifeforce

Tobe Hooper changed cinema with The Texas Chain Saw Massacre (1974) for pennies in rancid Southern heat, but came closest to a mainstream...

Der fliegende Holländer, Irish National Opera review - saili...

So much looked promising for Irish National Opera’s first Wagner: the casting, certainly, the conductor – Music Director Fergus Sheil knows and...

The Potato Lab, Netflix review - a K-drama with heart and wi...

When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the...

Lauren Mayberry, Barrowland, Glasgow review - solo star stay...

It took until the last song before Lauren Mayberry started to well up onstage, which was good going. The singer had mentioned early on the...

Album: Toria Wooff - Toria Wooff

On the cover of her eponymous debut album, the Bolton-raised Toria Wooff reclines on a church pew located in Stanley Palace, a 16th-century...

Music Reissues Weekly: Too Far Out - Beat, Mod & R&B...

The thrill of hearing “Crawdaddy Simone” never wears off. As the September 1965 B-side of the third single by North London R&B band The...