wed 12/03/2025

Peter Eyre

Articles By Peter Eyre

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Levit, Budapest Festival Orchestra, Fischer, RFH review - an...

A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván...

Farewell Mister Haffmann, Park Theatre review - French hit o...

When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...

Album: Coheed and Cambria - The Father of Make Believe

The Father of Make Believe is the latest instalment in the cinematic fantasy world that Coheed and Cambria have meticulously crafted over...

theartsdesk Q&A: Raoul Peck, director of the documentary...

With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...

Jonathan Buckley: One Boat review - a shore thing

One Boat, Jonathan Buckley’s 13th novel, captures a series of...

Blu-ray: The Barnabáš Kos Case

One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...

A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...

You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...

Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...

“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. 

Tamara...

BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester re...

Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to...