sun 16/02/2025

Simon Thompson

Articles By Simon Thompson

Wyn, Dwyer, McAteer, RSNO & Choirs, Diakun, Usher Hall, Edinburgh review - ebullient but bitty

Read more...

Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgement

Read more...

Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wasted

Read more...

Altstaedt, EUYO, Noseda, Edinburgh International Festival 2024 review - inclusive and brilliant

Read more...

Bostridge, Osborne, Edinburgh International Festival 2024 review - the heights and the abyss

Read more...

Bamberg SO, Hrůša / Up Late at the Hub, Edinburgh International Festival 2024 review - death, life and points in between

Read more...

Schola Cantorum de Venezuela / Llewellyn, Lepper, Edinburgh International Festival 2024 review - scorching energy and deep tenderness

Read more...

Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebration

Read more...

Trpčeski, RSNO, Søndergård, Usher Hall, Edinburgh review - flash and sparkle

Read more...

Bach Passions, Dunedin Consort, Mulroy/Jeannin, St Mary's Episcopal Cathedral/Queen's Hall, Edinburgh review - twin peaks

Read more...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyne shines, Grime fragments

Read more...

Morison, Big Noise Wester Hailes, RSNO, Søndergård, Usher Hall, Edinburgh - shimmering delicacy and surging swell

Read more...

RSNO Chorus, Doughty, Greyfriars Kirk, Edinburgh review - breaking out in anniversary Bruckner

Read more...

SCO, Ilias-Kadesha, Queen’s Hall, Edinburgh review - Eastern promise sputters out

Read more...

Grosvenor, SCO, Emelyanychev, Usher Hall, Edinburgh review - lightness of touch and a sprinkling of humour

Read more...

Isidore Quartet / Mao Fujita, Edinburgh International Festival 2023 - carefree beauty and improvisatory flair

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...

Sidorova, Philharmonia, Alsop, Royal Festival Hall review –...

George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull...

More Life, Royal Court review - posthuman tragedy fails to c...

I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of them. But one essential element...

Album: Park Jiha - All Living Things

Park Jiha is a super-talented and gloriously inspired Korean multi-instrumentalist. Her new album follows Philos (2018) and The Gleam...

Captain America: Brave New World review - talking loud, sayi...

In his first weeks in office, Harrison Ford’s US president survives an assassination attempt inside the White House, goes to war with Japan and...

Three Sisters, Sam Wanamaker Playhouse review - Chekhov...

Russia.

It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to...

MacMillan's Ordo Virtutum, BBC Singers, Jeannin, Milton...

Does any living composer write better for choirs, or more demandingly when circumstances allow, than James MacMillan? Admirable as it is to have...

Surviving Black Hawk Down, Netflix review - the real story b...

Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous...