Visual arts
Sarah Kent
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the Japanese artist Yoshitomo Nara and the combination of turquoise walls and oversized paintings of cute kids turned my stomach over. Kitsch has that kind of power.It can also command high prices on the international market and Nara’s pictures sell for vast sums. In 2019 Knife Behind Back, a slick rendition of a grumpy girl in a red dress, sold at auction for £20 million. Since then, his prices have shrunk to a mere £9 million – still not bad for a product that Read more ...
Sarah Kent
Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they would become household names so their work is now familiar, he disappeared from view. It makes his Whitechapel retrospective feel like a rediscovery – incredibly fresh and immediate.Stepping into the main gallery, you are infused with a supreme sense of calm. Hanging from the ceiling is a Newton’s cradle – 18 glass orbs suspended a few inches apart on fine wires (main picture). Glowing golden yellow, these fragile vessels are serenely beautiful. Read more ...
Mark Sheerin
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather. But the trio of 5m-high contemporary sculptures grow in place here, drawing life from limestone soil. These metallic buds, blooms and supersize tubers reflect a deep, tropical past that predates the very English landscape we now associate with this part of the world.So artist Vanessa da Silva invites you to reconnect with 300 million years of history by sitting here a while. When the sun is out, as it was on the opening weekend of Bradford 2025, you might reflect Read more ...
Sarah Kent
Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the viewer is given ample time to relish the beauty of the framing, lighting and composition. Many of the shots fall into traditional categories such as still life, landscape and portraiture and would work equally well as photographs.In fact, the whole film is structured as a series of episodes that are more like animated stills than narrative sequences. And it produces the sense of being in the continuous present – as in a painting or a photograph. It’s a perfect match for the Read more ...
Sarah Kent
A traditional Korean house has appeared at Tate Modern. And with its neat brickwork, beautifully carved roof beams and lattice work screens, this charming dwelling looks decidedly out of place, and somewhat ghostly. Go closer and you realise that, improbably, the full-sized building is made of paper. It’s the work of South Korean artist Do Ho Suh (main picture).In 2013, he covered his childhood home in mulberry paper and painstakingly made a rubbing of every single nook and cranny of the exterior. He left the paper in situ for nine months until the drawing had weathered to resemble an old Read more ...
Sarah Kent
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the rest of the work tries hard to avoid openly confronting – grief.Actor Toby Jones reads from a diary kept by Atkins’ father, Philip during the months before his death from cancer in 2009. With mordant humour, he titled it Sick Notes and, by turns, the entries are sad, funny, banal or full of pain and fury. Jones’ audience is a group of young Read more ...
Mark Sheerin
Stonehenge is about 5,000 years old; three photographic artists currently exhibiting in the visitor centre are all under the age of 25. The juxtaposition of 21st century and the ancient world has been facilitated by Shout Out Loud, a youth engagement programme from English Heritage, custodians of this historic monument. In collaboration with Photoworks, this gives rise to the first ever exhibition of new photography at the site.So much yet so little is known about stone circles one might wonder what three emerging artists might add to the sum of our understanding around prehistory. Indeed, Read more ...
Sarah Kent
The railways that we built in India may be well known, but I bet you’ve never heard of the Customs Line, a hedge that stretched 2,500 miles across the subcontinent all the way from the River Indus to the border between Madras and Bengal – the distance between London and Istanbul. Comparable in scale to the great Wall of China, this 40-foot high barrier was created to prevent the smuggling of salt.Before the advent of refrigeration, salt played a crucial role in preserving food. Taxing a substance so essential for survival was a sure way of getting rich and the British East India Company was Read more ...
theartsdesk
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic team of arts and culture writers went ahead with an ambitious plan – to launch a dedicated internet site devoted to coverage of the UK arts scene.Many of our readers today may have forgotten the arts journalism atmosphere of the first decade of the new century – especially the decimation of traditional broadsheet arts coverage that followed the financial crisis of 2008.Many of the contributors who came together for Read more ...
Sarah Kent
On walking into Mikalene Thomas’s exhibition at the Hayward Gallery my first reaction was “get me out of here”. To someone brought up on the paired down, less-is-more aesthetic of minimalism her giant, rhinestone-encrusted portraits are like a kick in the solar plexus – much too big and bright to stomach. Could I be expected to even consider accepting these gaudy monstrosities as art?A brash assault on the senses, they seemed to be daring me to turn away. Then came two installations – recreations of the living room in the terraced house in Camden, New Jersey where the artist grew up in the Read more ...
Rachel Halliburton
Sebastian Copeland’s images of the Arctic may look otherworldly – with their tilting cathedrals of ice, hypnotic light, and fractured seascapes that seem to stretch to infinity – but it would be a mistake to see them that way.For Copeland’s whole mission is to make us see how intimately our lives are caught up with a region which – for all its frozen austerity – is in flux. In his most recent book of photographs, The Arctic: A Darker Shade of White (winner of an International Photography Award), he writes that Arctic sea ice has just lost “more volume in 30 years than it has in the Read more ...
Sarah Kent
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the palm of his hand is a fragile dwelling whose flimsy walls are held together by pins. This tiny model is made from pieces of the artist’s skin removed during one of the many operations he underwent during his short life; sadly he died the following year, aged only 37.His body was crumbling under the onslaught of sickle cell anaemia, a disease that almost exclusively affects people of African descent and for which there is no known cure. In one of his notebooks, beside a Read more ...