Art Gallery: The Sacred Made Real | reviews, news & interviews
Art Gallery: The Sacred Made Real
Art Gallery: The Sacred Made Real
Monday, 02 November 2009
Fernandéz' Dead Christ, 1625–30: © Photo Imagen M.A.S. Courtesy of Museo Nacional del Prado, Madrid
Mark Hudson reviews on another page the National Gallery's exhibition of 17th-century Spanish sculpture and art, The Sacred Made Real, which he describes as "in some ways the most contemporary exhibition in London". Here are some of the artworks on show.
Mark Hudson reviews on another page the National Gallery's exhibition of 17th-century Spanish sculpture and art, The Sacred Made Real, which he describes as "in some ways the most contemporary exhibition in London". Here are some of the artworks on show.
Here was art that said, This is real! Here is the tortured body of the Saviour just feet away from you
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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology
The South African artist evokes the Finnish landscape in a multisensory installation
Paul Cocksedge: Coalescence, Old Royal Naval College review - all that glitters
An installation explores the origins of a Baroque masterpiece
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