Paintings, crushed canvases, sound art and sci-fi - an eclectic year for Turner Prize shortlist | reviews, news & interviews
Paintings, crushed canvases, sound art and sci-fi - an eclectic year for Turner Prize shortlist
Paintings, crushed canvases, sound art and sci-fi - an eclectic year for Turner Prize shortlist
Tuesday, 04 May 2010
Modern history painting: Dexter Dalwood's 'The Death of David Kelly'
Last year critics were pleasantly surprised that the Turner Prize shortlist included works that could actually be admired for traditional notions of beauty. This year they might be surprised at its sheer variety. The four nominees not only include a painter, but an artist who crushes, bends and rips her canvases, a sound artist who sings and places her recorded voice in unusual and tucked-away places, and a duo who make futuristic films in which humans have evolved in “microgravity”.
Last year critics were pleasantly surprised that the Turner Prize shortlist included works that could actually be admired for traditional notions of beauty. This year they might be surprised at its sheer variety. The four nominees not only include a painter, but an artist who crushes, bends and rips her canvases, a sound artist who sings and places her recorded voice in unusual and tucked-away places, and a duo who make futuristic films in which humans have evolved in “microgravity”.
more Visual arts
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the Channel
Abstraction with emotion and soul in a landmark retrospective
Women in Revolt!, Tate Britain review - a super important if overwhelming show
Women protesting with all their might in both art and life
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity
Thirty-six African artists reconnect with their heritage in dramatic and moving images
El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations
As this Turbine Hall installation shows, the Ghanaian artist can cope with vast scale
RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment
Eco-warriors and art as activism
Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions
Bringing the dead to life and looking at the world before and after humans
Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood
Art that reflects on social ills
Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK
How to appear daft while addressing the dark side
Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs
Too many bunnies spoil the sculpture broth
Marina Abramović, Royal Academy review - young performers stand in for the absent artist
This pioneer of performance art is the first woman to show in the main galleries
Beatriz Milhazes: Maresias, Turner Contemporary review - the taste and sight of Brazil
A retrospective of the Brazilian artist's career transports us to Rio de Janeiro
Differently Various, The Curve, Barbican review - a step in a shared direction
Richly engaging exhibition by artists who have experienced brain injuries
Add comment