book reviews and features
Richard Dorment: Warhol After Warhol review - beyond criticism
Tuesday, 09 January 2024
2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after... Read more... |
Best of 2023: Books
Sunday, 31 December 2023
From wandering Rachmaninoff to Ulysses tribute, or a poet’s boyhood in Dundee to sleeplessness and arboreal inner lives, our reviewers share their literary picks from 2023. ... Read more... |
First Person: novelist Pip Adam on the sound of injustice
Wednesday, 20 December 2023
I know it rattles me, so I try to prepare for it. But I am never fully prepared for the noise. The correctional facilities I have visited over the last 30 years are noisy places. A secure... Read more... |
Angela Leighton: Something, I Forget review - the art of letting go
Monday, 18 December 2023
Half way through Something, I Forget, in a poem entitled “Returns”, and subtitled “Invasion of Ukraine,... Read more... |
Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite death
Saturday, 09 December 2023
"Death, as a general statement, is so easy of utterance, of belief", wrote Amy Levy, "it is only when we come face to face with it that we find the great mystery so cruelly hard to realise; for... Read more... |
Anne Michaels: Held review - one story across time
Friday, 24 November 2023
Near the end of My Name is Lucy Barton, Elizabeth Strout’s prize-winning 2016 novel, a creative writing teacher tells Lucy, ‘you will... Read more... |
Ishion Hutchinson: School of Instructions review - learning against estrangement
Monday, 20 November 2023
School of Instructions, a book-length poem composed of six sections, is a virtuosic dance between memory... Read more... |
Jesse Darling: Virgins review - going straight
Thursday, 16 November 2023
Self-described ‘intermittent poet’ and 2023 Turner Prize-nominee Jesse Darling said this in a recent interview for Art Review: ‘I... Read more... |
Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac
Tuesday, 07 November 2023
This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form... Read more... |
Adam Biles: The Shakespeare and Company Book of Interviews review - the old curiosity bookshop
Tuesday, 31 October 2023
Over 10 years in the making, The Shakespeare and Company Book of Interviews reflects its namesake in more ways than one. To those familiar, it is paean and tribute to one of the... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Fifth Step, Soho Place review - wickedly funny two-hande...
The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....
Josefowicz, LSO, Mälkki, Barbican review - two old favourite...
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...
Mr Swallow: Show Pony, Richmond Theatre review - magic trick...
Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...
The Great Escape Festival 2025, Brighton review - a feast of...
Photographer Finetime and I have our first pints outside Dalton’s, a bar on...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
The Bombing of Pan Am 103, BBC One review - new dramatisatio...
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...
Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...
Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...
Album: Robert Forster - Strawberries
“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...