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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Primal Scream, O2 Academy, Birmingham review - from anthems...
Bobby Gillespie and Andrew Innes may have been steering the good ship Primal Scream for some 40 years but, on the evidence of this week’s visit to...
theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, He...
VINYL OF THE MONTH
Rattle Encircle (Upset! The Rhythm)
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Patrick McGilligan: Woody Allen - A Travesty of a Mockery of...
Patrick McGilligan’s biography of Woody Allen weighs in at...
Album: Black Country, New Road - Forever Howlong
Black Country, New Road’s Forever Howlong is an ambitious reinvention that both captivates and, at times, frustrates. Following Isaac...
Peter Grimes, Welsh National Opera review - febrile energy a...
Emotions run high at WNO these days. When the company’s co-...
An Evening with Joan Armatrading, Cadogan Hall review - tho...
I can’t hear Joan Armatrading without being instantly transported back to Liverpool, and my student digs just around the corner from Penny Lane. I...
Frang, LPO, Jurowski, RFH review - every beauty revealed
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...
Kenny Garrett, Ronnie Scott's review - a mixed bag
The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of...
Album: Sofia Härdig - Lighthouse of Glass
The titular “lighthouse of glass” is a place where the narrator is “crying into the sun,” in which there is a need to “stand by my solitude.”...