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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Lizz Wright, Barbican review - sweet inspiration
Lizz Wright’s exquisite singing breaks all boundaries between soul, gospel and jazz. In so doing she channels many interwoven strands of the...
Wardruna, Symphony Hall, Birmingham review – Einar Selvik...
Wardruna are something of a modern musical phenomenon. Part Scandinavian folk revival, part prog rock epic and part pagan ritual, their wide-...
Dear England, National Theatre review - extra time for stirr...
With qualifying about to begin for the soccer...
Flow review - come the apocalypse, cue the animals
I so wanted to like Flow. I’d heard good things from usually reliable critic friends who’d seen it already and told me it had...
Album: Greentea Peng - Tell Dem It's Sunny
Going by the sounds of her new album, it wouldn’t unreasonable to assume that Greentea Peng enjoys sucking on a spliff every once in a while. ...
Adolescence, Netflix review - Stephen Graham battles the pha...
A dictionary definition of adolescence is “the transitional phase of growth and development between childhood and adulthood”, but in this four-...
theartsdesk Q&A: Indian star Radhika Apte on 'Sist...
Radhika Apte has been acclaimed for her ebullient performance as a reluctant bride in Sister Midnight since...
Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Ba...
Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too...