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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...
I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...
Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...
Mahler 8, LPO, Gardner, RFH review - lights on high
Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...
Album: Car Seat Headrest - The Scholars
Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...
Music Reissues Weekly: The Hamburg Repertoire
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
Ben and Imo, Orange Tree Theatre review - vibrant, strongly...
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...
The Great Gatsby, London Coliseum review - lavish and lively...
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby...
Stelios review - Athenian rhapsody in blues
The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...