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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
This is My Family, Southwark Playhouse - London debut of 201...
MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has...
Alan Sparhawk, EartH Theatre review - an absorbing game of t...
For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan...
10 Questions for musician Michael Gira
Michael Gira (born 19/2/54) is an American singer-songwriter, composer, author and artist. He founded Swans, a band in which he sings and plays...
Album: Miley Cyrus - Something Beautiful
A couple of months ago, I wrote here that Lady Gaga was the godmother of the new generation of ostentatiously “theatre kid” pop stars – but...
The Rise and Fall of Michelle Mone, BBC Two - boom and bust...
As this two-part documentary vividly illustrates, it...
Album: Garbage - Let All That We Imagine Be The Light
Garbage’s eighth album, Let All That We Imagine Be the Light, arrives with weighty intentions and a strong sense of purpose, but the end...
The Salt Path review - the transformative power of nature
“I can’t move my arms or legs but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his...
The Flying Dutchman, Opera Holland Park review - into the st...
Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...
The Frogs, Southwark Playhouse review - great songs save upd...
As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...