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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dub...
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...
Music Reissues Weekly: American Baroque - Chamber Pop and Be...
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...