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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Black Bag review - lies, spies and unpleasant surprises
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...
Weather Girl, Soho Theatre review - the apocalypse as surrea...
Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...
Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls i...
Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its...
First Person: singer-songwriter David Gray on how the songs...
Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the...
Sister Midnight review - the runaway bridegroom
Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker...
The Habits, Hampstead Theatre review - who knows what advent...
“The exercise of fantasy is to imagine other ways of life,” says one of the role-players during a Dungeons & Dragons marathon, because “...
Album: Steven Wilson - The Overview
Steven Wilson’s cinematic concept album The Overview is named for the cognitive shift required of astronauts and others who’ve observed...
Levit, Budapest Festival Orchestra, Fischer, RFH review - an...
A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván...
Farewell Mister Haffmann, Park Theatre review - French hit o...
When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...