Until 7 April 2013 For over thirty years Trockel has resiste d an identifiable style. Her practice encompasses knitted paintings and cer amics as well as complex installations involving zoological specimens and c ollections of artefacts produced by fellow artists. Yet certain abiding con cerns have informed her diverse activity: contrasting ideas of feminism andthe hierarchical divisions separating amateur and professional, anonymityand celebrity, and fine and applied arts. http://www.serpentinegaller y.org/2011/03/rosemarie_trockel_a_cosmos.html