wed 21/08/2019

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Pain and Glory review - masterful meditation on age and art

The Almodovar who made his name as an all-out provocateur in the 80s considers that wild art’s becalmed far side...

The Doctor, Almeida Theatre review - Robert Icke's long...

After six years, associate director Robert Icke bids farewell to the...

CD: Gard Nilssen Acoustic Unity - To Whom Buys a Record

To Whom Buys a Record roams through 12 crisply recorded pieces confirming that...

Heartbreak Holiday, BBC One review - can it match up to Love...

The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island...

Train Your Baby Like A Dog, Channel 4 review - an animal beh...

Animal behaviourist Jo-Rosie Haffenden, who lives in Spain, has some very good dogs (and a charming toddler, who knows how to sit). Can she...

Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the f...

Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall...

The Day Mountbatten Died, BBC Two review - the IRA's au...

It was a lovely summer’s day in southern England, much as it was in County Sligo. I was with my parents, driving to visit a very elderly relative...

Making new waves: Royce Vavrek on forging a libretto from La...

It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the...

DVD/Blu-ray: The Chant of Jimmie Blacksmith

Fred Schepisi’s The Chant of Jimmie Blacksmith (1978) was the...