CD: The Human League - Credo | reviews, news & interviews
CD: The Human League - Credo
CD: The Human League - Credo
Eighties synth-poppers please but struggle to prove their relevance
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/83274d52df243e3809825d8ba8bf8f65.jpg?itok=BkYBQ1UV)
Listening to The Human League’s Credo is a bit like listening to one of Ray Davies’s more recent outings – you know they’ve both said all they have to say years ago, but there is still something very pleasing about just hearing them do their thing. I use the word "say", advisedly, as part of Credo’s charm is its prosaic half-spoken words, strong on storylines yet purposely piling banality on top of cliché, where “stranger” rhymes with “danger” and we learn things like “There is a place the night people go/ There is a place that only night people know”.
Listening to The Human League’s Credo is a bit like listening to one of Ray Davies’s more recent outings – you know they’ve both said all they have to say years ago, but there is still something very pleasing about just hearing them do their thing. I use the word "say", advisedly, as part of Credo’s charm is its prosaic half-spoken words, strong on storylines yet purposely piling banality on top of cliché, where “stranger” rhymes with “danger” and we learn things like “There is a place the night people go/ There is a place that only night people know”.
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