Digital Theatre: From Page to Stage to Screen | reviews, news & interviews
Digital Theatre: From Page to Stage to Screen
Digital Theatre: From Page to Stage to Screen
Finally, plays on screen which don't make you scream
Wednesday, 24 February 2010
Rebecca O'Mara as Bathsheba Everdene addressing country folk in Far from the Madding CrowdDigital Theatre/English Touring Theatre
The thought of watching a filmed play is enough to make even the hardiest theatregoer flee screaming down the aisle. Recording the stage has a poor history, causing even the nimblest staging to seem thudding and deep performances transparent. But that was before Digital Theatre came along.
The thought of watching a filmed play is enough to make even the hardiest theatregoer flee screaming down the aisle. Recording the stage has a poor history, causing even the nimblest staging to seem thudding and deep performances transparent. But that was before Digital Theatre came along.
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
Dear England, National Theatre review - extra time for stirring soccer classic
James Graham adds a neat coda to his ode to decency in sport
Weather Girl, Soho Theatre review - the apocalypse as surreal black comedy
A Californian weather girl copes with fires inside and outside her head
Clueless: The Musical, Trafalgar Studios review - a perfectly manicured update
KT Tunstall's new score brings bite and momentum to a high octane evening
The Habits, Hampstead Theatre review - who knows what adventures await?
New play about the game of Dungeons & Dragons explores fact and fantasy
Farewell Mister Haffmann, Park Theatre review - French hit of confusing genre, with a real historical villain
Jean-Philippe Daguerre tries to mix a farcical comedy of manners with the Holocaust
Edward II, RSC, Swan Theatre, Stratford review - monarchs, murder and mayhem from Marlowe
Putsch in the palace brings down a king who chose the wrong person to love
One Day When We Were Young, Park Theatre review - mini-marvel with a poignant punch
Perfectly judged performances enhance a subtle staging of Nick Payne's two-hander
Alterations, National Theatre review - high emotional costs of ambition
The Guyanese migrant experience of 1970s London gets the big-stage treatment
A Knock on the Roof, Royal Court review - poignant account of living under terror
Gaza play is both surreally humorous and finally devastating
The Score, Theatre Royal Haymarket review - curious beast of a play fails to engage
Missed opportunity to create a rich drama from this intriguing historical encounter
The Ferryman, Gaiety Theatre, Dublin review - Jez Butterworth's Northern Irish epic comes close to home
Variable ensemble yields some gripping scenes and monologues
Backstroke, Donmar Warehouse review - a complex journey through a mother-daughter relationship
Tamsin Greig and Celia Imrie shine in a multifaceted portrait of motherhood
Comments
...
...
...