tue 26/09/2023

dance

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Octopolis, Hampstead Theatre review - blue, blue, electric b...

How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from ...

Blu-ray: Gregory's Girl

Gregory’s Girl stands alongside Kes as one of the few ...

The National, OVO Hydro, Glasgow, review - commanding arenas...

There remains something disconcerting about seeing the National as arena rockers. Perhaps it’s the nonchalant stage entrance as they stroll on, a...

Annie Ernaux: Shame review - the translation of pain

The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form...

Mahler 2, LPO, Gardner, RFH review - an interpretation of su...

Epic and intimate, philosophically anguished and rhapsodically transcendent, Mahler’s "Resurrection" Symphony remains one of the most mountainous...

Mad Rush, Carol Williams, RFH review - a rainbow of organ co...

Big Ben was chiming the quarter-hour as I hit the South Bank side of the river after a not terribly inspiring Remain rally in Parliament Square....

The Nettle Dress review - a moving story exquisitely told

Lasting just over an hour, The Nettle Dress is like a fairy story. It builds very slowly, each beautifully framed shot contributing...

The Ossianic Ballads, Edinburgh Quartet, Màiri MacMillan, Na...

To coincide with the National Library of Scotland’s first bi-lingual exhibition Sguel/Story, an exhibition in English and...

Album: Doja Cat - Scarlet

It felt inevitable that Doja Cat would turn her back on being a popstar. The Californian rapper’s career has been shaped by her ambivalent...

Music Reissues Weekly: Shake That Thing - The Blues in Brita...

In September 1955, the grandly named London Skiffle Centre set up for business each Thursday in a room above the Round House pub in Soho’s Wardour...