Features
sheila.johnston
Late on a spring Friday evening, İstiklal Caddesi, the main shopping thoroughfare in Istanbul’s Beyoğlu district, exudes all the delicious traditional Turkish aromas: roasting chestnuts, fierce black coffee, döner grills and simit, İstanbul’s bagel, still selling like hot cakes way after midnight. Most of all, though, milling with the crowd, you are struck by something else, something less familiar these days, in Europe anyway: the smell of money.While the old economies are on their knees, Turkey has been booming: 9.2 percent growth in GDP in 2010, 8.5 percent in 2012. Last year the motor Read more ...
Demetrios Matheou
Cannes, that irresistible feeding frenzy of film, is just around the corner. But 6,000 miles away in Panama City a film festival has just concluded that, for entirely different reasons, is equally significant. Panama isn’t known for its film output – it's made just one fiction feature in more than 60 years – and while America may have relinquished its control of the canal, the grip of its cultural colonialism has proven much more difficult to loosen.That’s why, in just its second year, the Festival Internacional de Cine de Panama has become a key event in the country’s cultural calendar. For Read more ...
David Nice
First, the good news: you can see Wagner’s entire Ring at the Royal Albert Hall, with absolutely the world’s finest Wagner singers and conductor in concert, for a grand total of £20. The bad news is that unless you have a season ticket – in which case it works out even cheaper – you’ll probably have to queue for most of the day to guarantee a place in the Arena or Gallery, and then you’ll still need the energy to stand for up to five hours an evening.None of that will deter devoted Prommers, whose numbers swell and grow younger every season. Little wonder, with the price of £5 a ticket held Read more ...
theartsdesk
Still the tributes come thick and fast, celebrating the greatest performances of the public figure who is remembered with the most universal affection and admiration this week (and on this day). We asked some of the top musicians to focus on an event, a meeting or a recording which made a special impact on them. Ian Bostridge, Imogen Cooper, Sir John Eliot Gardiner, Daniel Harding, Stephen Hough, Steven Isserlis, Dame Gwyneth Jones, Vladimir Jurowski and the Royal Opera’s David Syrus give warm and wonderful insights on what made Sir Colin not just a supreme conductor but also a rich and Read more ...
tanika.gupta
It was over four years ago that I was commissioned by Michael Boyd,  then artistic director of the RSC, to write a play which I had vaguely pitched to him as “a costume drama set in the nineteenth century with Asians running around in it”. And here we are, finally, about to open an epic and ambitious play set over the last 14 years of Queen Victoria’s reign. My initial inspiration came from an old black and white photograph taken in an ayah’s home in Aldgate in the 19th century. The picture of a group of Asian women sat around a table sewing and reading, wearing saris and Victorian dress Read more ...
Humphrey Burton
Colin was an enormous influence in my youth and I’d like to share some memories of those days. It was over 60 years ago, on a Sunday afternoon in May 1952, that  I attended a concert performance of The Marriage of Figaro given by Chelsea Opera Group in a school hall in Hills Road, Cambridge. The singers were all young, gifted and sparky. The orchestra purred. The narration (written by David Cairns) was genuinely funny, indeed it seemed bliss to be alive that afternoon and to be young (I was 21) seventh heaven. On the podium was Colin Davis, a slim, shock-headed dynamo who lived and Read more ...
Adam Sweeting
In its ebbs, flows and final grand flourishing, the career of Sir Colin Davis was reminiscent of some of the great musical masterpieces with which he became closely identified. From Mozart to Tippett, Berlioz to Beethoven and Sibelius, Davis proved himself one of the major international conductors of the post-war era. If in his earlier years he acquired a reputation for being fractious and confrontational with his musicians, the Davis of the last three decades was wise and unruffled, finding in music an almost transcendental refuge. "It amounts to an alternative reality," he told Tom Service Read more ...
Jasper Rees
Oxford. A glum afternoon in early spring, 2000. Tourists clogging the city’s arteries. On a terrace overlooking the river Cherwell, a tour guide finishes her spiel and shepherds a flock of pensioners on to the next destination. A lone squat figure with silver hair, leaning contemplatively against the railings, doesn’t budge. The tour guide is convinced he’s one of hers. A quick cup of tea, she says kindly, and it’s back on the coach to Stratford. He turns the sad hound’s face on her, with its blowtorch eyes, and advises her brusquely of her mistake.Up on Magdalen Bridge, a group of Italian Read more ...
alexandra.coghlan
“There are three rivers in Lyons: the Rhône, the Saône and the Beaujolais.” Thus goes the popular saying – as apt today for France’s gastronomic and wine-quaffing capital as it was back in the 15th century, when the city first became a hub of European political and social life. The cobbled streets, Roman amphitheatres and ubiquitous vistas of Lyons's hillside Old Town draw their share of tourists, while the celebrated bouchons and Michelin-starred restaurants bring in the rest. But what of the city's cultural life?The opera house is the natural hub, rivalling the magnificent Hôtel de Ville Read more ...
Peter Culshaw
I hadn’t been through Mumbai (although lots of people there still call it Bombay) for a while – I once Iived in a beach house here for several months in Juhu while working on a fairly insane project with, among others, Boy George, Bollywood playback goddess Asha Bhohle, and the brilliant film composer RD Burman called the West India Company. The whole thing was like Spinal Tap goes East – money was wasted, people went crazy, gangsters came round, the cook set fire to himself, everyone got dysentery. That story is for another time, perhaps.These days the city, and not just me, has calmed down Read more ...
David Nice
We had, as presenter James Naughtie so wryly remarked, set aside our mourning weeds for the low-key glamour of celebrating a far from moribund classical recording industry. Movers, shakers and humble BBC Music Magazine contributors all shifted from the airy dining space at the ever-accommodating Kings Place yesterday - I won't forget the mint marshmallow - and descended to woody Hall One for the magazine's 2013 awards.Editor Oliver Condy had a hard act to precede in the shape of quick-quipping Naughtie, but he made us laugh with news of an anniversary less vaunted than Wagner’s, Verdi’s or Read more ...
alexandra.coghlan
If ever there was such a thing as a safe pair of pianistic hands then they would belong to Norway’s Leif Ove Andsnes. There’s a cool, patrician control to everything he does that speaks to thorough preparation, careful interpretative choices and immaculate technique. Thrill-seekers and risk-takers may want to look elsewhere, but for everyone else Andsnes offers the chance to hear cleanly through to the skeleton of a work. No histrionics or affectations muddy the silhouettes on show, and if occasionally one longs for a moment of abandon then it’s a desire easily satisfied by 10 minutes in the Read more ...