Romuald Hazoumé's Petrol-Fumed Art

Romuald Hazoumé strolls into the October Gallery in London with the assurance of a man preceded by his reputation, and walks through a room lined with his large colour photographs, plastic masks, symbolic paintings on canvas, and a centrepiece installation featuring a group of four huge musical instruments constructed from cut-up petrol canisters. A strong, stocky 47-year-old wearing a comfortably loose boubou and wide trousers, he has every reason to be confident: this artist from Benin in West Africa, who carries round his neck a huge bunch of jangling, tinkling talismanic pendants which clearly work, is one of Africa’s most significant contemporary artists.